Arts History Update for late August 2014

20 Aug

Arts History Update for late August 2014 by David Cummins

Friday evening August 29 from 7:00 – 8:00 pm is the ribbon cutting and formal acceptance of the new public art installed at the West Village Residence Hall on the Texas Tech University campus 19th Street west of Indiana Avenue and Texas Tech Parkway. The several sculptures in the courtyard at the entrance to the Hall are called Texas Rising (2014) by Joe O’Connell and Blessing Hancock, Tuscon Arizona artists. They are lighted from within so will create quite a light show for residents of the Hall and their visitors and friends. This is a free for the public event and the artists will be present to interact with patrons of the art, us.

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Haruki Murakami, Colorless Tsukuru and His Years of Pilgrimage (transl. Philip Gabriel, Alfred A. Knopf 2014) is a much anticipated novel after his wildly successful The Wind-Up Bird Chronicle: A Novel (transl. Jay Rubin, Alfred A. Knopf 1997) and later works. In its first week in Japanese book stores it sold one million copies. We’ve all read “coming of age novels” but this is a “not coming of age novel” and most revealing of life anywhere in a dense urban landscape. Artfully reviewed at Patti Smith, Deep Chords, The New York Times Sunday Book Review, August 10, 2014.

Lubbock Public Library has The Wind-Up Bird Chronicle (1997), Underground: The Tokyo Gas Attack and the Japanese Psyche (2001), After The Quake: Stories (2002) [in 1995 the Kobe earthquake occurred in January killing thousands, and in March the poison gas attacks occurred on Tokyo subways frightening the populace, so Murakami writes about the aftermath], Kafka On the Shore (2005) Blind Willow, Sleeping Woman: Stories (2006) ABE Books good condition $6.98, After Dark (2007), and 1Q84 (2011) (an ode to George Orwell’s 1984 but a caution at 925 pages).

The Wind-Up Bird Chronicle is 611 pages and Colorless Tsukuru is 386 pages “The new novel–a book that sold more than a million copies the first week it went on sale in Japan–from the internationally acclaimed author, his first since IQ84 –
Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present. It is a story of love, friendship, and heartbreak for the ages. -”

Texas Tech Library has The Wind-Up Bird Chronicle, Underground: The Tokyo Gas Attack and the Japanese Psyche, After The Quake: Stories, Kafka on the Shore, and 1Q84. It also has What I Talk About When I Talk About Running: A Memoir (2008) 179 pages [he is a long distance runner including 26.2 mile marathons] ABE Books good condition $4.99 and Vintage Murakami (2004) 182 pages his selection from his writings ABE Books good condition $3.48

Neither has Norwegian Wood: A Novel (1987 in Japan, transl. Jay Rubin, Vintage International 2000) adapted into a movie Norwegian Wood (2010, with English subtitles 2011). https://www.youtube.com/watch?v=neK1yJAWyYs An earlier movie Tony Takitani (2004) was taken from Murakami’s short story by that name.

Matthew C. Strecher, The 10 Best Haruki Murakami Books, Publishers Weekly August 8, 2014, reveals as it describes Murakami’s social deconstruction of an economic phenomenon Japan Incorporated, whereby the novels interrogate advanced capitalism highlighting its tendency to commodify and sell anything, nearly everything, including basic human relationships.

Murakami blends the surreal with hard-boiled deadpan comedy, and delicate introspection by his characters. He is age 65 and considered a candidate for the Nobel Prize in Literature.

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Danh Vo is a Vietnamese-American sculptor who has an exhibit We The People http://www.publicartfund.org/view/exhibitions/6042_danh_vo_we_the_people at both New York City’s City Hall Park and at Brooklyn Bridge Park. The former is http://www.nytimes.com/2014/08/08/arts/design/outdoor-sculpture-and-more-in-the-new-york-region.html?action=click&pgtype=Homepage&version=Moth-Visible&module=inside-nyt-region&_r=0 recognizable as a portion of the flame in the Statue of Liberty torch, rendered in copper, and the latter is http://www.brooklynbridgepark.org/places/public-art#dahn recognizable as the draped sleeve of the Statue of Liberty’s right arm, again rendered in copper, and a great photo opportunity for a selfie.

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Texas Legislature House of Representatives District # 83 is a vacant seat since Representative Charles Perry withdrew his filing for re-election and filed to run for an open Texas Legislature Senate seat. At a Republican Party candidate forum http://www.myfoxlubbock.com/news/local/story/House-District-83-republican-candidates-meet-in/6ouYNfyBw06A-pWDHB4uBA.cspx each of the candidates announced that s/he is against the federal government and would scale it back in size and strength. Why is this an issue in a state representative position and what does this attitude signify as a mind-set of those candidates? The Republican Party county and voting precinct chairs will elect one of those six whose name will appear on the Tuesday November 4 general election ballot, but other disappointed candidates might launch a write-in ballot candidacy. No Democrat filed for this seat in the Spring so unless there is a write-in ballot candidacy by a Democrat the Republican Party designated candidate on the ballot will be the likely winner of the seat and become one of 150 members of the 2015 Texas House of Representatives.

There is a special election on September 9 to fill the open Texas State Senate District 28 seat and unexpired term, occasioned by Robert Duncan’s resignation from the Senate to become Chancellor of Texas Tech University System. The filed candidates are:

Jody Arrington, Lubbock, Republican
Delwin Jones, Lubbock, Republican
Charles Perry, Lubbock, Republican
Epi Garza, Wolfforth, Republican
Greg Wortham, Sweetwater, Democrat
Kerry McKennon, Petersburg, Libertarian

Early voting is available August 25 – September 5 with the exception of Labor Day Monday September 1 http://www.sos.state.tx.us/elections/voter/d28-candidates.shtml Should there be a runoff election, if the top vote-getter does not have 50% plus one vote, Governor Perry will set the runoff election date but it likely would be November 4 the general election day. Election day locations on September 9 in Lubbock County http://www.votelubbock.org/election-information/election-day-information/ are identified at this website. Early voting locations http://www.votelubbock.org/election-information/early-voting-information/ on a daily basis are identified at this website.

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Local growers, producers and restaurants come together for the 5th annual Great Harvest Marketplace. The event offers complimentary samples of a variety of local food, wine and beer. McPherson Cellars will be pouring wine. Guests receive a punch card with 15 opportunities for free tastings from 24 local venues including food wine and beer.

A representative for the Lubbock Restaurant Association said the purpose of the event is to expose the variety and quality of local food and drink. A chef will demonstrate cooking styles for Texas Gulf shrimp [local has an expansive definition sometimes]. At the previous year’s event there was live music as well.

The event is hosted at Bayer Museum of Agriculture 1121 Canyon Lake Drive in Mackenzie Park from 6:00 pm to 9:00 pm on Thursday August 28. Free event but a $10 donation is suggested.

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Non-degree seeking students at Texas Tech, including you, may register free on the e-learning portal and then select the course or courses you wish to take online
http://www.depts.ttu.edu/elearning/non-degree-seeking/ Costs for enrollment vary. Some universities like Arizona State University at Tempe have committed to having their entire curriculum available online so theoretically one could never physically be in Tempe and still graduate.

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The Blue Inside by Peter Mangan is the latest Art on the Llano Project installation on the median adjacent to the on ramp for South Loop 289 eastbound frontage road at Quaker Avenue. It is similar to Mangan’s Gemini Song at the Benini Foundation Galleries and Sculpture Ranch at Johnson City Texas in the Hill Country
http://sculptureranch.com/sculptor-mangan-hc-gemini.htm and is described as an untreated, already oxidized stainless steal silhouette frame of two humans male and female with three contrasting copper bands to contain the outline of those figures. All framing bands have two, three or four squares of blue-tinged translucent glass hanging from them. The glass is not noticed when one is exactly perpendicular to the sculpture but is on display from all other angles. http://www.petermangan.com The artist resides and has a studio in both Blanco Texas and San Francisco California.

The sculpture stands atop a two feet similar steel pediment to raise the sculpture to a height necessary for it to be appreciated by vehicular traffic at the intersection. There is little pedestrian traffic at that location but I parked in Doc’s Liquor Store parking lot and walked across the ramp to the median and closely inspected the piece.

Transportation costs were paid by Melissa Grimes at Studio West Interior Design http://www.studiowestid.com 26th Street and Canton Avenue and installation was performed gratis by the Texas Department of Transportation District based in Lubbock serving 17 counties http://www.txdot.gov/inside-txdot/district/lubbock.html Douglas Eichorst, P.E. [professional engineer] is District Engineer. Kudos to these leaders.

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Joe Ely, Jimmie Dale Gilmore, and Butch Hancock together are The Flatlanders. At one time they all lived in Lubbock Texas and met and liked each other. They still do. Here are their albums in CD format in chronological order: Live at the One Knite Austin TX June 8, 1972 (1972), More a Legend Than a Band (1994), Unplugged (1995), Now Again (2002), Wheels of Fortune (2004), Hills and Valleys (2009), and The Odessa Tapes (2012). They are live, in concert, at the Cactus Theater on Friday September 26, 2014 at 7:30 pm $35 or $30 in balcony.

These artists are successful individually, but there is a special magic about them when they appear together. Garrison Keillor knew that when he scheduled a live production of the Prairie Home Companion radio show at City Bank Auditorium in Lubbock on April 27, 2013 and asked The Flatlanders to be his guest band for the event. They were wonderful.

Do you remember Woody Guthrie and his ballad about leaving the Dust Bowl for California, something he did himself? The Flatlanders recently wrote a reversal of that phenomena called Homeland Refugee about a family picking up and leaving California to go back to their dust bowl roots. The chorus is

“Now I’m leaving California for the dust bowl
They took it all, there’s nowhere else to go
The pastures of plenty are burning by the sea
And I’m just a homeland refugee”

Lyrics at http://www.lyricsmania.com

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Smithsonian Institution in Washington DC has in its archives a good deal of old typewritten/with erasures and inter-lineations and hand-written materials, and it would take the staff eons of time to transcribe it all into digital format, so the Smithsonian came up with the idea of inviting volunteers anywhere on their own time to do the transcribing. It uses the crowd sourcing software in its Transcription Center https://transcription.si.edu/browse Here are a list of the current projects if you are interested. Earlier this year the Smithsonian put 200 documents from the collection on the World War II Monuments Men online in the Transcription Center and within one week 49 volunteers had transcribed and reviewed every one of the documents. They are now digitally archived and word searchable by anyone. This is a great way to use volunteers at museums and galleries for everyone’s benefit.

Larry Kirkland sculptor did El Intercambio (The Interchange) (2009) four granite sculptures and granite flooring designs on the pedestrian mall leading from the Medical Sciences Research Building to the Paul L. Foster School of Medicine at Texas Tech University Health Sciences Center in El Paso Texas. http://elpaso.ttuhsc.edu/ Here are several pictures of those pieces on that pedestrian mall interweaving with excellent landscape architecture by Jason Hodges of Prairie Workshop http://prairieworkshop.com/paul%20foster%20som.htm and here are pictures from Larry Kirkland http://www.larrykirkland.com/el-intercambio.html The largest of the four sculptures is Portal and is striped Imperial red granite and Kashmiri gold granite that reflects the building style at either end of the mall. The second sculpture is Mind crafted from the same two granite stones and is a positive silhouette head engraved with a floral pattern and tools of daily life. The last two smaller sculptures are made from Absolute black granite slabs with a cutout keyhole. The oblique view of Mind is even more revealing of contrasts in granite material http://www.pinterest.com/pin/129689664241982704/ This sculpture has already received awards http://www.stone-ideas.com/2010/05/01/art-more-than-mere-facades-tiles-or-sculptures/

The campus at the moment in El Paso is comprised of three academic units, the Paul L. Foster School of Medicine, the Gayle Greve Hunt School of Nursing, and the Graduate School of Biomedical Sciences. To the west of this campus is the non-profit teaching hospital University Medical Center of El Paso at 4815 Alameda Avenue http://www.umcelpaso.org [prior to 2009 it was R. E. Thomason Hospital of El Paso Hospital District] that recently expanded by opening an East Tower building and is adjacent to El Paso Childrens Hospital (2012) and TTUHSC Physician Clinics. To the northeast is Medical Center of the Americas Foundation http://mcamericas.org/ that is constructing new research buildings. The entire area is bounded by Alameda Avenue on the south and Interstate Highway 10 and Gateway Boulevard East on the north and is east of downtown El Paso.

Headwaters (2005) by Larry Kirkland is a sculptural piece located on the Texas Tech University campus in Lubbock north of the College of Education Building south of the English and Philosophy Departments Building in that courtyard https://www.flickr.com/photos/11324122@N08/1078499642/ the hands and alphabet pieces are sculpted from Kashmiri gold granite and the base in the form of a book is from African black granite, a metaphor in its entirety.

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Dying is hard, sometimes extremely hard. Death is the absence of life, a negative, distinguished from what occurred before which was life. Is it more, however? Shakespeare in Hamlet says “death is an undiscovered country from whose bourne [meaning destination or boundary] no traveler returns”. This passage provided the title for the book by Carl Watkins, The Undiscovered Country: Journeys Among the Dead (Bodley Head 2013) reviewed at Anthony Sattin, The Observer, January 5, 2013. http://www.observer.theguardian.com

This scholarly book by a Cambridge historian about mortuary practices that became traditions devoid of the meaning by which they first arose, or indeed devoid of any particular meaning at all, sets us apart today in contemporary life from the history of the rituals of dying. The question for families today of what to do with the body and whether or not or how to conduct a memorial, is for many a process of fitting grief and loss into a comfortable narrative. If the decedent supplied instructions or preferences for post-death activities, the narrative is often pre-written in part and usually is dutifully observed in practice.

In Roman Catholic doctrine there is a heaven, hell and a purgatory in between. Residence in purgatory may be extended in time. Protestant Christian doctrine drops purgatory and assigns the decedent immediately to heaven or hell. There is no need for Protestants to pray for the repose of the decedent’s soul, or to pay the church for masses for the decedent. Various religions have distinctive views on whether or not those people who are not counted among the religion’s faithful, can or cannot go to heaven. What isn’t usually spoken is that denial must assign the person to hell. Most of us don’t feel comfortable with assigning strangers, who may be our neighbors, to hell. A reductionist religious theology loses force in our lives by becoming unjustified and insupportable.

There is no way to validate who has, in the past, gone to any of these destinations. The discussions and distinctions are hypotheses. Since the rise in the practice of cremation and lessening of burial and even less often burial in a cemetery astride the churchyard where the decedent had attended services, the physical body seems separated from whatever exists after death at whatever location. Indeed, disposition of the decedent’s body has come to fit within local public health and safety standards and to become a matter of compliance with community standards represented by regulations or ordinances. It can also be costly. And more often than not, for descendants there may be no physical location to visit that once was the decedent’s home or “final resting place”.

Many would suggest that since we know what became of the protoplasm or body of the decedent, it is the soul or psyche of the decedent whose location is debatable. There is no agreement as to the existence and quality of the soul during the decedent’s life and even less after his/her death. Speculating about something we were so ignorant of during his/her lifetime, causes most of us to fall silent.

Memory and remembrance by others, may for most be the final repose of the decedent. The comfortable narrative of the life, the dying, and the dealing with the death, is all of a piece and becomes one narrative as memories and remembrances are shared, stated and restated. The dead themselves are simply absent. These narratives often begin immediately after a death in the memorializing process often called “a celebration of his/her life”.

Most people suggest that post-death residence is a matter for individual speculation and belief, and social practice is to accept anyone’s assertion without contest. All assertions by those who are grieving are accepted as assertions, not as a fact or of anything other than grief itself.

Arts History Update for mid August 2014

7 Aug

Arts History Update for mid August 2014 by David Cummins

Spirit of ’45 Day will be celebrated Saturday August 9, 2014 at Silent Wings Museum http://www.mylubbock.us/departmental-websites/departments/silent-wings-museum/special-events/2014/08/09/default-calendar/spirit-of-%2745-day as many of you realize that V-J Day was August 14, 1945 ending World War II after the earlier in the month bombings of Hiroshima and Nagasaki. Millions of lives, American and Japanese, would have been lost if we had to invade the Japanese homelands. Many feel indebted to President Harry S Truman for the horrific bombings that caused so much death injury and destruction to two important cities and civilian populations. The use of atomic bombs on civilian populations was arguably a violation of the law of war but the Japanese leadership was shocked and impressed enough to agree to an unconditional surrender that was announced on August 14 and formally signed aboard the USS Missouri on September 2, 1945 in Tokyo Bay. http://en.wikipedia.org/wiki/Victory_over_Japan_Day Congress set the second weekend of August each year as a Spirit of ’45 Day of Remembrance.

Silent Wings Museum will be open 10:00 am – 5:00 pm free admission, and the Spirit of ’45 Day ceremony will take place at 2:00 pm. Address is 6202 North Interstate Highway 27 at Exit 9 on west side of Lubbock Preston Smith International Airport.

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The Blue Inside by Peter Mangan is the latest Art on the Llano Project installation on the median adjacent to the on ramp for South Loop 289 eastbound frontage road at Quaker Avenue. It is similar to Gemini Song at the Benini Foundation Galleries and Sculpture Ranch at Johnson City Texas http://sculptureranch.com/sculptor-mangan-hc-gemini.htm and is described as an untreated, already oxidized stainless steal silhouette frame of two humans male and female with three contrasting copper bands to contain the outline of those figures. All framing bands have two three or four squares of blue-tinged translucent glass hanging from them. The glass is not noticed when one is exactly perpendicular to the sculpture but is on display from all other angles. http://www.petermangan.com The artist resides and has a studio in both Blanco Texas and San Francisco California.

The sculpture stands atop a two feet similar steel pediment to raise the sculpture to a height necessary for it to be appreciated by vehicular traffic at the intersection. There is little pedestrian traffic at that location. Transportation costs were paid by Melissa Grimes at Studio West Interior Design http://www.studiowestid.com and installation was performed gratis by the Texas Department of Transportation District based in Lubbock serving 17 counties http://www.txdot.gov/inside-txdot/district/lubbock.html

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Historic Granada Movie Theater in Plainview Texas is coming to life after decades of non-use. It’s located at 812 Broadway in Plainview. In early Summer the restoration/renovation began with the removal of the dividing wall and framework for the two movie screens. The drop ceiling panel was removed, and the stage area was restored and expanded. Rest rooms were updated into functionality. The exterior marquee was restored. Much remains to be done. As fundraisers by the 501(c)(3) organization in charge, four concerts will occur over the Labor Day Weekend, as follows:

Friday August 29 at 8:00 pm Texas Tornados $25 general admission seating

Saturday August 30 at 8:00 pm Jason Boland & The Stragglers $25 general admission

Sunday August 31 at 7:30 pm Natalie Grant $30 general admission

Monday September 1 at 7:30 pm Asleep At The Wheel $30 general admission

Seats purchasable at Select A Seat in Lubbock

https://www.facebook.com/GranadaTheaterPlainview information on Darryl Holland http://lubbockonline.com/local-news/2012-08-08/granada-theater-has-new-owner#.U-JvL6PG_CY and website advertises these events http://historicgranada.org/

Darryl Holland only raised 53 pledges totaling $12,102 of the requested $100,000 on Kickstarter in late Fall 2013 so that fund-raising project failed. http://www.kicktraq.com/projects/137849208/historic-granada-theater-restoration-in-plainview/ Am guessing he will raise much more than that by these concerts. Don’t tell them, show them how it can be used, and they will gather to get on board.

Darryl and Stephanie Holland own and operate Holly Hop Ice Cream Parlor on 34th Street near Indiana Avenue, and the Lubbock Fun Club http://www.lubbockfunclub.com/

Greetings, friends! 

I am extremely pleased to announce the completion of “phase one” in the major restoration work being done at the HISTORIC GRANADA THEATRE located at 812 Broadway in downtown Plainview, Texas!

Many of you receiving this note know that this project has been a total leap of faith – and an all-encompassing labor of love –  that has taken many twists and turns since Stephanie and I began this very personal journey EXACTLY TWO YEARS AGO TODAY.   As some of you may know, my late grandfather, Price Holland, was a partner in the operation of this historic theatre as well as the builder of the drive-ins and other “walk-in” theatres in Plainview from the late 1940s through the early ‘70s.  After his retirement, the GRANADA was eventually sold and “twinned” by an out-of-state corporation….without regard to the historical significance and ornate beauty of this once-majestic “movie palace.”  It has been my personal mission since 1977 to one day re-claim this theatre and restore it – as near possible – to its original glory.  On August 1, 2012….we took that first leap.

Now, as we reach this two-year milestone….we can report the following accomplishments:

• ROOF REPAIR AND REPLACEMENT along with additional cleanup of balcony and original projection room spaces.

• TOTAL RESTORATION of the ORIGINAL, 1940s-era MARQUEE – this work will be fully completed within the next 10 days!

• REMOVAL of the interior dividing wall, drop ceiling and stage obstructions from the 1978 “twinning” of the original theatre space – JUST COMPLETED!

• NON-PROFIT ORGANIZATION and INITIATION OF CAPITAL CAMPAIGN for future renovations.

To highlight these events, showcase the re-claimed space and provide a window into the future, we have taken another leap by booking a full-slate of AWARD-WINNING ACTS – to present over the entire LABOR DAY WEEKEND – in the newly-reclaimed theatre space.   We’re even offering an optional barbecue meal for the Sunday and Monday shows as an added option for those interested in an “upscale concert experience.”  (Please note…special combo tickets required to insure enough “fixins” for everyone!)

This stellar lineup of artists include:

Friday, August 29…………Texas Tornados………the ultimate Tex-Mex supergroup, anchored by Texas music icons Augie Meyers and the “King of Tejano Accordion Players”, multi-Grammy winning legend Flaco Jiménez.

Saturday, August 30……..Jason Boland & The Stragglers….This “Red Dirt/Texas Country” star leads the pack of the independent, non-Nashville, country rockers working today and is the most highly-regarded talent in his field.

Sunday, August 31………..Natalie Grant….5-time Gospel Music Association “Female Vocalist of the Year” and 2014 Grammy nominee…perhaps the most admired and successful contemporary Christian pop star of this generation.

Monday, September 1…..Asleep at the Wheel……The 9-time Grammy-winning “Post-Modern Kings of Western Swing”….carrying on the Bob Wills tradition for 44 years and counting!

For those in the publishing arena (or simply interested in more detail), I’ve attached a full PRESS RELEASE and accompanying color photos of the four acts we are featuring during this upcoming holiday weekend concert series. 

It is our hope that the people of the South Plains will appreciate hearing about our renovation efforts and will make plans to support this fundraising effort for our newly-formed non-profit organization so that we may continue in the process of bringing back this treasured movie palace and performing space.  Our goals for the future include showcasing additional concerts; screening independent and classic film; presenting theatrical plays and community-themed events.  We envision the theatre space also playing host to all-school reunions, private functions, weddings and all manner of special occasions.  In short, we endeavor to provide cultural enrichment and a social meeting space that promotes downtown revitalization, historical preservation and tourism.

Your help in delivering that message to friends, followers – and fans of great music that might embrace our project by attending – would be forever appreciated!

Complete concert information and ticket locations are included in the attached press release and through the links listed at the bottom of this note.

Lastly, if you or someone you know, would be interested in underwriting, sponsoring or perhaps buying a block of tickets to any of the concerts, please let me know directly.  We are offering a group discount of 10% for sales of 20+ tickets.

Please consider sharing this news with as many outlets and resources as possible to assist in widespread coverage for this special fundraising concert series.  Your help would be forever appreciated!

With heartfelt thanks,

Darryl Holland

Executive Director

Historic Granada of Plainview, Inc.

Physical address:  812 Broadway

Mailing address:  P.O. Box 812

Plainview, TX 79072

We are officially a pending 501(c)(3) organization

http://www.historicgranada.org

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Jeffie Brewer’s Purple Bull (2014) is now installed at Marsha Sharp Freeway off-ramp to Avenue L as part of the Art on the Llano Project. http://www.jeffiebrewer.com/#!Purple-Bull/zoom/c1psg/image1jhh

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Joseph Mitchell 1908 – 1996 came to New York City from North Carolina the day after the 1929 stock market crash. He had just graduated from the University of North Carolina at Chapel Hill and was 21 years of age. After eight years as a reporter and feature writer at various newspapers, he joined the staff of The New Yorker Magazine, where he remained until his death in 1996 at the age of eighty-seven.

His books include My Ears Are Bent (1938, reissued and revised and expanded in

2001 by Sheila McGrath and Dan Frank), McSorley’s Wonderful Saloon (1943), Old Mr. Flood (1948), The Bottom of the Harbor (1959), and Joe Gould’s Secret (1965) each a collection of stories or articles. His stories focused on people living on the fringe in New York City. They featured gypsies, alcoholics, the homeless, fishmongers, and a band of Mohawk Indians who worked as riveters on skyscrapers and bridges and had no fear of heights. Much of his journalism is included in the book Up in the Old Hotel (1992) Texas Tech Library PS3525.I86 U6 1992 that includes all of the previous four books collections of magazine pieces. While at The New Yorker, Joseph Mitchell interviewed criminals, evangelists, politicians, and celebrities. He said that he was a good interviewer because he had lost the ability to detect insanity. He listened to everyone, even those who were crazy, as if they were sane. He said, “The best talk is artless, the talk of people trying to reassure or comfort themselves.”

Mitchell published his last book in 1965, Joe Gould’s Secret, about a man who said that he learned the language of seagulls and was now writing the longest book in the world. Gould’s writing block was mirrored because, for the next 30 years, Mitchell kept going to his New Yorker office without publishing another word.

Joe Gould’s Secret (2000) is a film in which Stanley Tucci plays Joseph Mitchell and Ian Holm plays Joe Gould.

My copy of Up In the Old Hotel is well-worn, an antidote when occasionally I think the world makes sense and is rational and well ordered. I like Mitchell better than H. L. Mencken 1880-1956, although a similar personality at The Baltimore Sun, because Mencken shared his opinion and some vitriol whereas Mitchell just presents the story of an amazing person as if it were normative reporting of life, without opinion or evaluation. Mitchell allows the reader to identify the beat and determine just how off-beat this character might or might not be. http://en.wikipedia.org/wiki/H._L._Mencken

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Peter Heller, The Painter: A Novel (Alfred A. Knopf 2014) $19.05 hardcover $10.00 e-book

Peter Heller, the celebrated author of the breakout best seller The Dog Stars, returns with an achingly beautiful, wildly suspenseful second novel about an artist trying to outrun his past.

Jim Stegner has seen his share of violence and loss. Years ago he shot a man in a bar. His marriage disintegrated. He grieved the one thing he loved. In the wake of tragedy, Jim, a well-known expressionist painter, abandoned the art scene of Santa Fe to start fresh in the valleys of rural Colorado. Now he spends his days painting and fly-fishing, trying to find a way to live with the dark impulses that sometimes overtake him. He works with a lovely model. His paintings fetch excellent prices. But one afternoon, on a dirt road, Jim comes across a man beating a small horse, and a brutal encounter rips his quiet life wide open. Fleeing Colorado, chased by men set on retribution, Jim returns to New Mexico, tormented by his own relentless conscience.

A stunning, savage novel of art and violence, love and grief, The Painter is the story of a man who longs to transcend the shadows in his heart, a man intent on using the losses he has suffered to create a meaningful life.

Lubbock Public Library FIC HELL and CD AUDIO FIC HELL

Texas Tech Library PS3608.E454 P35

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Major League Baseball continues to excite after the All-Star Game break especially in California. In the National League West Division the Los Angeles Dodgers lead the San Francisco Giants by 1-½ game and in the American League West Division the Oakland Athletics lead the Los Angeles Angels by 1-1/2 games. Fans are getting stoked for three possible but not likely World Series. One would be a Bay Bridge Series with Giants against the Athletics, another would be a Freeway Series with Dodgers versus the Angels, and another would be a California Civil War North versus South Giants versus Angels or Dodgers versus Athletics.

Teams in contention are making trades to try to repair areas of weakness and put themselves in the best position to make the playoffs, win their league title, and enter the World Series. Good luck all around.

Back in Texas the Houston Astros are 23 games back but not in the cellar where Texas Rangers are 23 ½ games back. Ouch.

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Electra Waggoner Biggs, Riding Into the Sunset (1947) is a bronze statuary of Will Rogers on his horse Soapsuds at the entrance to Will Rogers Memorial Center including an Auditorium & Coliseum in Forth Worth Texas and four slightly smaller versions are at Amon Carter Museum of American Art in Forth Worth, Will Rogers Memorial Museum and Home of Will Rogers in Claremore Oklahoma, Texas Tech University Memorial Circle (1949) and at Hilton Anatole Hotel (1989) in Dallas. The sculpture was completed in 1939 but world events took over the process of building the coliseum in Fort Worth.

Lineage of The Waggoner Ranch and its heirs:

1. Daniel Waggoner (1828-1902) cattle baron, based on a ranch near Decatur Texas in Wise County since leaving Hopkins County in 1853 with 229 head of cattle after his father Solomon’s death in 1849 and his wife Nancy’s death in childbirth in 1853.

2. son W.T. William Thomas “Tom” or “Pappy” Waggoner, (1852-1934) cattleman and horseman who bred thoroughbred horses and built Arlington Downs racetrack in Arlington Texas in the 1930s in part from oil discovered on the ranch, founded the Waggoner Ranch on and near the Little Wichita River extending to above the Wichita River and west into Clay County, Wichita County, Wilbarger County and Baylor County

3. daughter of W.T. Waggoner was Electra Waggoner Wharton 1882-1925 for whom the town of Electra was named in 1907 it formerly being called Beaver Creek, and son Guy Waggoner 1883-1950 and son E. Paul Waggoner, 1889-1967 quarter horse breeder and western lore promoter,

4. Electra Waggoner Biggs 1912-2001 was the daughter of E. Paul Waggoner and she died at age 88 in a Vernon Texas hospital near her family home Santa Rosa Roundup Ranch within the Waggoner Ranch. She became a sculptor and completed Riding Into the Sunset in 1939 but it was installed in 1947 due to world events delaying and displacing construction of the Will Rogers Memorial Auditorium and Coliseum in Forth Worth.

http://www.waggonerranch.com/MrsBiggsArtTribute.htm shows some of her commissioned sculpture.

She was a beautiful and stately woman for whom the Buick Electra car was named as well as the Lockheed Electra airplane.

5. Electra’s daughters are Helen Biggs Willingham (Mrs. Gene Willingham) who still lives on the ranch home and Electra Biggs Moulder (Mrs. William Moulder) of Jacksonville Florida.

The shares in the W.T. Waggoner Estate (a business trust from 1923) that operates the Waggoner Ranch are roughly owned 50% by Wharton heirs and 50% by Biggs heirs. http://www.texasmonthly.com/content/showdown-waggoner-ranch

Waggoner Ranch http://www.tshaonline.org/handbook/online/articles/apw01

The Waggoner Commissary erected in the 1870s on the ranch near Electra Texas was preserved and moved to the National Ranching Heritage Center in Lubbock Texas in its Proctor Park section http://nrhc.ttu.edu/structures/waggoner-commissary/

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On Saturday October 18, 2014 there will be an opening of an exhibit at Wichita Brazos Museum & Cultural Center in Benjamin Texas 200 E. Hays Street featuring the Adolph Bayers showcase of spurs, bits, jewelery and other items made by the master metal worker from Gilliland in northeast Knox County. Frances Hamm, daughter of Adolph Bayers, will speak at the event that lasts from 10:00 am – 6:00 pm. Call 940-459-2229 for details of when her talk will occur. Bayers lived 1912-1978 and worked from his home in Gilliland. J. Martin Basinger et al, Artistry in Silver and Steel: The Adolph Bayers Legend (Southwestern Color Graphics volumes I-III 1996, 1997, and 2007) http://www.oto-spurs.com/ and see Cowboy Showcase http://www.cowboyshowcase.com/adolph-bayers-spurs.html#.U-BlfuNdXco

Wichita Brazos Museum opened June 27, 2009 and its normal hours are Mon-Fri 1:00 – 5:00 pm free admission. Its name derives from the location of Benjamin just south of the South Wichita River and just north of the Brazos River, hence the name. In Lubbock we know that the North Fork of the Double Mountain Fork of the Brazos River runs through Lubbock beginning at Mackenzie Park, confluence of Blackwater Draw and Yellowhouse Draw, and runs southeasterly until it meets the main Double Mountain Fork east of Justiceburg that itself joins with the Salt Fork of the Brazos River northwest of Rule Texas in Haskell County and then the Brazos River runs by Knox City and south of Benjamin toward Seymour in Baylor County before turning southeasterly and running through central Texas to Freeport on the Gulf Coast.

Benjamin is the site of Knox County Veterans Memorial http://www.knoxcountytexas.org/vetsmem2.htm that was completed in 2001 and is an impressive granite gateway structure at the corner of Texas Highway 6 [north-south highway] and US Highway 82 Texas SH 114 [east-west highway]. State Highway 6 runs from the Red River border above Quanah to Galveston Island on the Gulf Coast and since 1997 has been designated as Texas Korean War Veterans Memorial Highway. http://en.wikipedia.org/wiki/Texas_State_Highway_6 It is most appropriate that a memorial alongside the highway would honor all veterans from Knox County from the Civil War through the War in Iraq.

Wyman Meinzer, former official photographer of the State of Texas, makes his home and studio at the Knox County Old Jail (from 1887) in Benjamin Texas. http://www.wymanmeinzer.com/ and https://www.facebook.com/wymanmeinzer Here is a night lighted scene of Meinzer’s home and studio photographed by Ken Pruett http://kendallpruett.com/blog/?cat=74

Benjamin is 126 miles east of Lubbock and a rather scenic drive.

A few days earlier there will be an art event in Seymour that is 32 miles east of Benjamin on Texas SH 114 October 13th, 2014. ‘TOM LEA AND THE ITALIAN RENAISSANCE’ WITH LUCIANO CHELES 7 PM at the Whiteside Auditorium for the Performing Arts 301 North Washington Street in Seymour, Texas. For more information contact Myra Busby, Executive Director, Seymour Chamber of Commerce at scoc@nts-online.net.

The Tom Lea Institute and the Seymour Chamber of Commerce Invite you to the presentation– ‘Tom Lea and the Italian Renaissance’ with Luciano Cheles that will be featured along the Tom Lea Trail. In addition to the Seymour presentation other venues include the Bullock Texas State History Museum, the Harry Ransom Humanities Research Center, the Ellen Noel Art Museum of the Permian Basin, and the University of Texas at El Paso.

In 2003 as he was looking through art books, art history scholar Luciano Cheles came across one on Texas murals, noticing a similarity in the volumetric figures of Tom Lea and those of the great Italian Renaissance muralist Piero della Francesca. After receiving an e-mail validating his trained eye – “at the end of his life, Tom Lea wept when he spoke of seeing Piero’s work in Aretto, and getting to touch it with his hand” – Luciano applied to become a fellow at the

Smithsonian American Art Museum in Washington, D.C., winning a coveted spot. While in the United States he studied Piero’s influence on American artists with a special focus on Tom Lea.

In 2013, Texas Highways and Texas Monthly announced the Tom Lea Trail during October’s Tom Lea Month. This year Luciano Cheles will travel that trail, comparing a Texas master to those of the Italian Renaissance.

Luciano Cheles is a lecturer in the Department of Italian Studies at The University of Lancaster, Lancaster, England founded in 1964. http://www.lancaster.ac.uk/

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A new museum that will be dedicated at the Oldham County Round-Up on August 9 is the Milburn-Price Museum and Cultural Center in Vega Texas https://www.facebook.com/pages/Milburn-Price-Culture-Museum/1448761355376339 established by the renovation of an existing building by Greg and Karen Conn. The mural on the side of the building was painted by Joshua Finley and Valerie Doshier http://www.joshuafinleyart.com Denver artists depicting a comanchero making a trade with an Indian, an oxen team hauling a wagon, and of course cattle, a saddled horse and the Indian’s pony. A Quanah Parker Trail arrow was installed by Charles A. Smith on August 5, 2104 so this historic town on Route 66 is humming. Is the Boot Hill Saloon & Grill still open? Yes indeed and chef Rory Schepisi has a Black Angus steer steak waiting for you. http://www.examiner.com/article/vega-texas-boot-hill-saloon-and-grill-along-route-66

Vega is 36 miles west of Amarillo on Interstate highway 40 and about that mileage east of the New Mexico border. It is bisected by US Highway 385 that extends south to Hereford, Dimmitt, Littlefield and Levelland. It extends north to Channing, Hartley, Dalhart and the Oklahoma border.

History of the Llano Estacado and Environs

24 Jul

History of the Llano Estacado and environs by David Cummins

You didn’t know about the famous wolf hunt in 1905? President Theodore “Teddy” Roosevelt was returning from a Rough Rider reunion in San Antonio and stopped in Oklahoma Territory and Indian Territory, residents knowing that he was in favor of combining the two to form a new state of Oklahoma, and therefore would be well received. Teddy was intrigued by the stories, well supported, that John R. “Jack” Abernathy could and did catch wolves with his hands. On April 8-12, 1905 Roosevelt lit out on a wolf hunt led by Jack Abernathy over three counties in southwestern [today's] Oklahoma with fellow hunters that included Roosevelt’s physician Dr. Alexander Lambert, Quanah Parker, Samuel Burk Burnett, Tom Waggoner, and Bill McDonald. Others were lagging and dis-spirited but Teddy was present when Jack lured a wolf to attack his wrapped arm and Jack throttled the wolf with his free hand and broke its neck. He repeated the exercise with three other wolves. http://digital.library.okstate.edu/encyclopedia/entries/R/RO026.html Teddy thanked Jack for the display of courage in nature and Teddy headed for Colorado and a bear hunt with rifles.

The following year 1906 as president, Teddy signed the Oklahoma Statehood Enabling Act permitting both Oklahoma Territory [enhanced in 1890 by the addition of Cimarron Territory in the panhandle only 34 miles north to south but 169 miles east to west between the 100th and 103rd Meridians degrees of longitude west of the Greenwich Meridian at London England] and Indian Territory in which Anglo residents outnumbered Indians 9 to 1, to combine for a single new state of the United States. The 100th Meridian in the United States is historically regarded as “the dry line” everything west of it being a quite dry area and east of it being quite wet. The panhandle south plains of Texas is all west of the dry line.

In 1910 Teddy appointed Jack Abernathy U.S. Marshall for Oklahoma http://en.wikipedia.org/wiki/Jack_Abernathy the youngest marshall in the nation

Samuel Burk Burnett http://www.tshaonline.org/handbook/online/articles/fbu80 1849-1922 was owner of Four Sixes Ranch headquartered in Wichita Falls who started with Longhorns, then Durhams, then Herefords, to operate the finest strain of cattle. He introduced the practice of purchasing steers and grazing them for sale at auction. He had leased range land and ran cattle in Indian Territory by cooperation with Quanah Parker paying 6-1/2 cents per acre but as statehood approached he purchased107,000 acres in the Texas panhandle’s Carson County and 141,000 acres near Guthrie less than 100 miles east of Lubbock. The town of Burkburnett was named for him. His financial empire capital based on banking and oil was in Fort Worth.

Tom Waggoner http://www.tshaonline.org/handbook/online/articles/fwa09 was the son of Daniel Waggoner [died 1902] operating the extensive Waggoner Ranch properties upon which oil was later discovered, with headquarters at Vernon Texas.

William Jesse “Bill” McDonald was captain of the Texas Rangers http://en.wikipedia.org/wiki/Bill_McDonald_%28Texas_Ranger%29

Quanah Parker was the last war chief of the Quahadi Comanche http://www.tshaonline.org/handbook/online/articles/bmqvb forced in 1875 to lead his people out of Comancheria onto an Indian reservation in Indian Territory and he became a successful rancher there and spokesman for Indians with the federal government. http://www.quanahparker.org/

So-called Cimarron Territory was known in past times as No Man’s Land, Old Beaver River Country, Public Domain and just plain lawless land or desert but the Old Santa Fe Trail Cimarron Cutoff ran through it and Colonel Kit Carson was dispatched in 1865 to set up Fort Nichols at a point where the Trail meets the Cimarron River http://www.rootsweb.ancestry.com/~okmurray/stories/cimarron_territory.htm The Cimarron Cutoff proceeded from Fort Dodge Kansas [Dodge City] to Fort Union New Mexico Territory [the northern mountain Old Santa Fe Trail proceeded from Fort Dodge to Bent’s Fort and La Junta Colorado and through Raton Pass at the border while the more direct Cimarron Cutoff Old Santa Fe Trail joined up at Fort Union and continued west 110 miles to Santa Fe. The Cimarron Cutoff’s major watering station was the Cimarron River but of course both Comanche and Kiowa watered there as well. Today the Cutoff passes through Cimarron National Grassland, Rita Blanca National Grassland and Kiowa National Grassland to Clayton New Mexico [approximately where US Highway 56 vehicles travel southwest from Dodge City] and on to Santa Fe since Fort Union in the Mora Valley 45 miles north of today’s Las Vegas was closed in 1891 http://en.wikipedia.org/wiki/Fort_Union_National_Monument after forty years usage.

Here is a route map of the Atchison Topeka & Santa Fe Railroad in 1891 that illustrates that its trackage ran west from Dodge City to Coolidge Kansas, Lamar Colorado, La Junta, then left the course of the Arkansas River to go southwest to Trinidad Colorado, Dillon New Mexico near Raton, Springer, Las Vegas and Lamy [spur extended north to Santa Fe] and did not follow the Cimarron Cutoff of the Old Santa Fe Trail. http://en.wikipedia.org/wiki/Atchison,_Topeka_and_Santa_Fe_Railway#mediaviewer/File:Santa_Fe_Route_Map_1891.jpg It would be several years before spur railroads would enter the panhandles of Texas and Oklahoma such as Southern Kansas Railway of Texas chartered in 1886 becoming the Panhandle and Santa Fe Railway in 1914, and the Fort Worth & Denver City Railway crossing lines with Chicago Rock Island & Pacific Railroad at Dalhart Texas in 1888, shipping center for the XIT Ranch and other ranches, and extending beyond the state line toward Denver City Colorado.

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Alvar Nunez Cabeza de Vaca 1490-1558 was treasurer on the royal Narvaez Expedition to La Florida from Spain in 1527 with 600 men that suffered a shipwreck and a 1528-1536 journey across the American continent beginning with being enslaved by Indians to 1532 and ending with Cabeza and three other survivors being traders and shamans with Indians of various tribes. The other survivors were Andres Dorantes de Carranza, his servant Estevan a North African Berber sometimes called The Moor, and Alonso del Castillo Maldonado.

On small boats near the mouth of the Mississippi River Panfilo de Narvaez http://en.wikipedia.org/wiki/Narv%C3%A1ez_expedition was in another boat and was lost attempting to sail along the coast to Tampico [east coast of New Spain (Mexico)], while Cabeza and his boatload made it to Galveston Island where they were captured and enslaved by Karankawa Indians. From there in 1532 four escaped and walked west crossing the Rio Grande somewhere between the current Falcon Reservoir and Amistad Reservoir, but close enough to West Texas so that Cabeza heard about and perhaps saw bison and in his journal referred to this terra incognito [unknown land] as “Cattle Nation”. They walked through the north of New Spain [Mexico] and came down the west coast to San Miguel de Cuilacan Sinaloa where they met Spanish slavers on horseback. The next year in 1537 he sailed back to Spain and rendered an account to Holy Roman Emperor Charles V [King Charles I of Spain] awarding him a bison robe, among other items. Cabeza’s “account” titled Relacion (1542) https://archive.org/details/relationofalvarn00nrich is a marvelous report of the lands and peoples of this area. http://www.pbs.org/weta/thewest/resources/archives/one/cabeza.htm

Cabeza de Vaca in Spanish translates as cow’s head so it turned out to be quite coincidental that he later, probably while with the Jumano Indians, saw bison that he recognized as cattle but somewhat different from Spanish cattle. He saw no horses and Indians who hunted bison then, hunted them on foot. https://www.tshaonline.org/handbook/online/articles/fca06 He was told by Jumano that they hunted to the north in a more arid region, perhaps the first recorded account of a reference to the Llano Estacado.

It would be only a few years later 1540-1542 when Francisco Vasquez de Coronado would explore that northern area and write his report.

Coronado was governor of the state of New Galicia on the west coast of New Spain and in 1539 Viceroy Mendoza sent Friar Marcos de Niza and Estevan [survivor of the Narvaez Expedition] on a northern expedition. Niza returned and said Estevan had been killed by Zuni who lived in a golden city of Cibola and there were other such cities. Coronado took it from there, preparing his own expedition. His route began on the west coast of New Spain [Mexico] at Compostela, then to Cuilacan, then north on an inland route to southeastern Arizona northeast to Zuni Pueblo in New Mexico, Acoma Pueblo, Tiguex Pueblo [on the Rio Grande River near Bernalillo and the present site of Coronado State Monument], and Pecos Pueblo from which he went east into the Llano Estacado to Blanco Canyon near Crosbyton and Floydada Texas, then crossed the Red River east of Palo Duro Canyon then northeast to the “Quivira” Indians in Kansas above the Arkansas River, returning by a more direct route to Pecos Pueblo in New Mexico. https://www.tshaonline.org/handbook/online/articles/upcpt He found no gold or other valuables but many years later every piece of his expedition’s detritus has become quite valuable. What did he make of those herds of bison? His journal referred to them often and they were the main staple of a protein rich diet for the explorers.

Coronado did not treat Native Americans well, killing many Zuni and others. Juan de Onate brutally outdid him however on that score, as onetime governor of the area in 1598-1607. Conditions of subjugation continued, ultimately leading to the Indians Pueblo Revolt of 1680 http://www.americanjourneys.org/aj-009b/summary/ Juan Bautista de Anza was a Spanish explorer of Alta California all the way north to Monterey, and was Governor of New Mexico 1778-1788 defeating Green Horn a Comanche chief and stabilizing Indian Pueblo life free of raids by Navajo, Apache or Comanche. He started the comanchero trading program with Comanche on the Llano Estacado seeing it as helpful to containing Anglo-French westward expansion from the mid-continent region. It did not surprise de Anza that New Spain could not effectively colonize Tejas beyond the Bexar settlement at San Antonio founded early in the century. http://en.wikipedia.org/wiki/San_Antonio He was very cautious about Anglos and French so he would never have permitted empresarios like Stephen F. Austin to bring Anglo settlers into Tejas in northern New Spain.

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Captain Randolph B. Marcy lit out from Fort Smith Arkansas in his 1849 expedition to trace the course of the Canadian River. Today we know it rises in far southern Colorado on the east side of the Sangre de Cristo Mountains, flows south into New Mexico west of Raton, through a canyon near Springer, and then east across New Mexico forming the northern border of the Llano Estacado through the panhandle of Texas and then across Oklahoma until it empties into the Arkansas River at the Robert S. Kerr Reservoir on the Arkansas, a total of 906 miles. Marcy traced its course in Oklahoma Territory and in Texas and some of New Mexico Territory and ended his exploration at Santa Fe [thus establishing the Marcy Trail from Fort Smith to Santa Fe] where he resupplied and then lit out across the Llano Estacado on its western border following the Pecos River southward to the edge of the Edwards Plateau at Castle Gap on the historic San Antonio-El Paso Road or Southern Emigrant Trail between the present towns of Crane and McCamey, and then locating the sandhills near Monahans and a large spring at Big Spring before turning north at the easterly escarpment of the Llano Estacado, thus circumnavigating the Llano Estacado and returning to Fort Smith. http://www.tshaonline.org/handbook/online/articles/fma43

The Canadian River was known before 1849 due to an expedition by US Army Lieutenants James William Abert and William G. Peck in 1845, and before that by an expedition by Major Stephen Long in 1820 barely making it back to Fort Smith. Long’s harrowing return, including eating the meat of their horses, and report are the source of maps referring to the Llano Estacado and beyond on the high plains as “The Great American Desert”. http://en.wikipedia.org/wiki/Stephen_Harriman_Long

John Miller Morris, El Llano Estacado: Exploration and Imagination on the High Plains of Texas and New Mexico, 1536-1860 (Texas State Historical Association 1997) Lubbock Public Library 976.48 M876L Texas Tech Library F392.L63 M67

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Saturday October 4, 2014 is a trek to the site of the First Battle of Adobe Walls that occurred on November 25, 1864 about 150 years ago. Buses leave Amarillo Civic Center at 11:00 am or the Phillips Building in Borger at 1:00 pm for the site where Kit Carson’s grandson and Kiowa and Comanche will speak. $50 buys a seat on the bus and reservations are requested by August 15 to Amy Mitchell at Panhandle Plains Historical Museum phone 806-651-2242. More information e-mail Lynn Hopkins at Hutchinson County Museum lynnhopkins@hutchinsoncnty.com

General Carleton commanded a garrison of US Army New Mexico Department and was hateful to Indians, having ordered Colonel Kit Carson in the Spring of 1864 to take the Navajo on The Long Walk from their homelands to a newly founded Bosque Redondo reservation at newly opened Fort Sumner.

During the Civil War the Kiowa, Plains Apache, and Comanche repeatedly attacked travelers on the Santa Fe Trail and settlements of Anglo-Americans, so General Carleton sent Colonel Kit Carson commanding the New Mexico Volunteers to strike a blow at the Indians and show them that the United States would protect its transportation assets and settlements even while fighting the Civil War. Carson left Fort Bascom on the Canadian River near Logan New Mexico [1863 post abandoned 1870] http://www.cr.nps.gov/history/online_books/soldier/sitec11.htm with 260 cavalry, 75 infantry, 72 Ute and Jicarilla Apache scouts, two howitzers and 27 wagons and proceeded down the Canadian River intending to camp at Adobe Walls in Texas, then the ruins of William Bent’s abandoned adobe trading post and saloon on the northern side of the Canadian River 17 miles northeast of present day Stinnett Texas. Carson had, twenty years earlier, been active at the trading post when it was a going concern, so he knew its location.

Four miles from Adobe Walls Carson’s scouts reported a Kiowa village encampment so Carson attacked it and fell back to Adobe Walls to regroup. To his surprise there were at least four other villages of Kiowa Apache and Comanche nearby so in a matter of hours Carson was besieged by 1,200 – 1,400 attacking warriors. After the initial attack even more Indians, said to be about 3,000, were attacking by afternoon. Carson retreated into the first abandoned Kiowa village and burned it including the elderly in their tipis. He then retreated farther to where his supply train wagons were located, and on November 26 he led the troops back to New Mexico.

The current historical marker says “though Carson made a brilliant defense, the Indians won”. http://en.wikipedia.org/wiki/First_Battle_of_Adobe_Walls Eight years later the Battle of the North Fork of the Red River at McClellan Creek in Gray County September 28, 1872 would go against the Comanche and in favor of Colonel Ranald Mackenzie. http://en.wikipedia.org/wiki/Battle_of_the_North_Fork_of_the_Red_River Ten years later on June 27, 1874 in the Second Battle of Adobe Walls 28 buffalo hunters would be encamped at Adobe Walls and 250 or more Comanche attacked, http://en.wikipedia.org/wiki/Second_Battle_of_Adobe_Walls setting off the declared Red River Indian War of 1874-1875 and the removal of the Comanche to Oklahoma Indian Territory. General Sherman approved Colonel Mackenzie’s strategy to attack Comanche resources and make their survival off reservation untenable. Mackenzie attacked the horse herds at Tule Canyon and Palo Duro Canyon and destroyed resources forcing the Comanche evacuation to Indian Territory.

Here’s a map of Comancheria https://www.flickr.com/photos/lakota_sioux_and_comanche_indians/11282928623/sizes/o/in/photostream/

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Here’s a look at Fort McKavett Texas overlooking the headwaters of the San Saba River west the present town of Menard http://www.visitfortmckavett.com/index.aspx?page=529 The fort served from 1852-1859 and again from 1868-1883 and for the last thirty years has been Fort McKavett State Historic Site where Buffalo Soldier re-enactors tell history stories. The San Saba flows east through Menard and the town of San Saba before emptying into the Colorado River.

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July 24, 2014

Arts History Update for early August 2014

24 Jul

Arts History Update for early August 2014 by David Cummins

Texas A&M University Press is partnering with CASETA Center for the Advancement and Study of Early Texas Art http://www.caseta.org/ and is providing discount code 3B to gain a 30% discount for purchase of any of the Joe & Betty Moore Texas Art Series books, a series at the Press devoted to art by Texans. http://www.tamupress.com but also notice Michael Duty & Susan Hallsten McGarry, Texas Traditions: Contemporary Artists of the Lone Star State (Fresco Fine Art Publications 2010) 240 pages $75 that will balance off the art of Texas past with the art of its present. Latter at Texas Tech Library Southwest Collection TEX 68 A1 D981 T355 that includes passages on Glenna Goodacre Rosie Sandifer and other once local artists whose beauty we live with daily. ABE Books new $75.44 incl s&h no sales tax for the moment.

William Keyse Rudolph, Julian Onderdonk: American Impressionist (Yale University Press 2008) 160 page catalog for an exhibit at Dallas Museum of Art, Witte Museum at San Antonio, and Stark Museum of Art at Orange, Texas. Texas Tech Library Southwest Collection 68 o58 R917 J94 on sale commercially for over $100. Onderdonk 1882-1922 was born raised and died in San Antonio http://en.wikipedia.org/wiki/Julian_Onderdonk

Harold Dow Bugbee: The Original Cowboy Artist of the Plains is an exhibit at the National Ranching Heritage Center in Lubbock from July 19 – January 16, 2015 a six month period and the catalogue is gorgeous. The content of the exhibit is on loan for this period from Panhandle Plains Historical Museum, West Texas A&M University in Canyon Texas. Bugbee’s parents bought a ranch outside Clarendon Texas on the advice of his father’s cousin T.S. [Thomas Sherman] Bugbee who owned another ranch from early ranching days 1876 following the removal of the Comanche. Young Harold Dow Bugbee was thirteen years of age when his family moved from Lexington Massachusetts to ranch life near Clarendon. He wanted to be two things, a cowboy and an artist, and “in this the best of all possible worlds” [so says Pangloss in Candide] he succeeded at both. He died at his home on the ranch 1900-1963 at age 62.

Michael Grauer, Curator of Art & Western Heritage at PPHM in Canyon put together the exhibit and spoke at the opening reception on July 19. He had tramped through the H.D. Bugbee home with Olive the artist’s widow, and so had personal experiences in collecting the art and artifacts of this early cowboy regionalist plains painter and sculptor. He spoke well and we can only hope that NRHC will bring him back again this Fall for another talk on Bugbee and his art.

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A family collection of art will soon have a home in a new museum at Stanford University http://www.latimes.com/entertainment/arts/la-et-cm-ca-hunk-moo-stanford-anderson-collection-20140713-story.html#page=1 Harry “Hunk” Anderson and his wife Mary Margaret “Moo” Anderson are donating most of the art in their Atherton California home to Stanford University for display as The Anderson Collection. Hunk age 91 and Moo age 86 have donated before to the San Francisco Museum of Modern Art and to the De Young Museum in San Francisco, but this donation outdoes them all, with Lucifer by Jackson Pollock, and originals by Willem de Kooning, Mark Rothko, Philip Guston, Hans Hoffman, Sam Francis, Morris Louis, Ellsworth Kelly, Richard Diebenkorn, Agnes Martin and Robert Motherwell. Stanford’s new art and art history building McMurtry Building designed by Diller Scofidio + Renfro http://www.dsrny.com/ will open early in 2015 containing The Anderson Collection. No one else in America has such a collection of original abstract expressionist, color field, and pop art paintings. The article in the Los Angeles Times is a fascinating read.

Department of Art & Art History
School of Humanities & Sciences
Stanford University
https://art.stanford.edu/ Galleries and Spaces https://art.stanford.edu/galleries-spaces/overview/ Burt and Deedee McMurtry Building http://news.stanford.edu/news/2011/april/mcmurtry-building-arts-041411.html

One of our Arts History Update readers is touring in the Golden State and sent me this information. Thanks for sharing.

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Turn! Turn! Turn! (To Everything There is a Season) was composed music and lyrics by Pete Seeger in 1959, was recorded by Judy Collins as the closing song in her album Judy Collins # 3 (1963) and recorded by The Byrds in 1965 as a single and in an album, https://www.youtube.com/watch?v=W4ga_M5Zdn4 and http://en.wikipedia.org/wiki/Turn!_Turn!_Turn! and by Wilson Phillips (vocal trio Carnie Wilson, Wendy Wilson, and Chynna Phillips) in their album California (2004) http://www.pandora.com/wilson-phillips/California. Of course Seeger lifted all but the repeated Turn Turn Turn from chapter 3 of the biblical Book of Ecclesiastes.

And here is Pete in the 1960s singing his own song https://www.youtube.com/watch?v=ivshYkrNWrg that you can purchase on Google Play, Amazon MP3 or Apple iTunes. Here is Pete on his 94th birthday in 2013 trying to lead the assembled group in this, one of his signature songs https://www.youtube.com/watch?v=7_7NATyqaBU Pete Seeger May 3, 1919 – January 27, 2014 http://en.wikipedia.org/wiki/Pete_Seeger

It was Pete Seeger who heard Guy Carawan sing a spiritual song “we will overcome” at a Student Nonviolent Coordinating Committee meeting in 1960. Pete changed the word to We Shall Overcome as being more singable and wrote the music that Joan Baez and many other singer-activists recorded and sang http://en.wikipedia.org/wiki/We_Shall_Overcome until it became an anthem for the civil rights movement.

Pete was an original, a folk singer like Woody Guthrie 1912 – 1967 with whom he played and sang, Pete on the banjo and Woody on his guitar or violin http://earthside.typepad.com/.a/6a00d834516ae369e201a5115cdbc3970c-popup They are remembered as historic figures, larger than life, men who live long after their protoplasm [earthly physical body].

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The 29th Annual Texas Cowboy Poetry Gathering is February 27-28, 2015 on the campus of Sul Ross State University at Alpine Texas on US Highway 90 between El Paso and San Antonio http://www.texascowboypoetry.com there are a surprising number of places of lodging in Alpine but book early for your choice. The historic Holland Hotel at 209 West Holland Avenue is always a good choice http://thehollandhoteltexas.com/ and Prude Ranch near Fort Davis is only 30 miles away http://www.prude-ranch.com/ and Sunday House Inn at Alpine is a choice http://www.sundayhouseinntx.com/ for folks who have forgotten or don’t know that a century ago or more folks would ride wagons a fair distance to get to a church on Sunday and would require a lodging or sunday house while there, spending a good part of the first day of the work week returning to the ranch.

Both mornings you may join the performers, local folks, and friends [made instantly in the trans Pecos region] at Poets Grove on Loop Road next to KVLF Radio station, warm your backside by the campfire and sip cowboy coffee, and eat eggs and hot biscuits and gravy made in dutch ovens in front of you off a chuckwagon. $5 per person 7:30 – 8:30 am.

Day sessions are free. Friday and Saturday evening sessions are $12.50 per person. Friday afternoon show by Cowboy Celtic is $5.

To get warmed up for Alpine, try the 26th annual National Cowboy Symposium & Celebration at Lubbock Texas September 4-7, 2014 at Lubbock Memorial Civic Center downtown http://www.cowboy.org There are Friday and Saturday concurrent sessions of poetry, music, stories, history sessions, and gathering activities, chuckwagon cook-offs, Quanah Parker Society activities exhibiting Comanche culture, old-fashioned mouth watering bbq, a series of sessions on western family feuds, and of course the theater shows on both evenings. Saturday morning is the Parade of the Horse featuring some old carriages and surreys drawn by skilled horses. If you’ve had way too much fun, there’s always the Sunday morning open air cowboy church service where you can unload some of that Puritan guilt and shame. If you’re a first-timer to the Cowboy Symposium, pop over to the National Ranching Heritage Center on the Texas Tech campus on 4th street where you’ll see restored historic ranch structures and original tack and equipment, veritably a museum for a cowboy. It’s genuine and authentic.

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hONEyhoUSe is a four woman band that is having a CD Release Party for “Sweep” its latest album at Peggy’s Garden adjacent on the north to Tornado Gallery 1822 Buddy Holly Avenue [former Avenue H] in the Depot Entertainment District in downtown Lubbock Sunday July 27 from 7:00 – 9:00 pm $15 at the door BYOB and BYOFood or just arrive for the music by a band that plays and sings rock, gospel, folk, country, blues, even a little funk, that is so authentic and genuine that fans are multiplying geometrically. Here’s the video press kit https://www.youtube.com/watch?v=vGavmEduksU produced by Rolling R Productions in Albuquerque New Mexico.

Hillary Smith vocals and guitar, Yvonne Perea vocals and guitar, Mandy Buchanan vocals, and Savannah Thomas djembe/percussionist is hONEyhoUSe http://honeyhouse.me/about/ Hillary blasts it out, Yvonne has a smooth balanced mellow tone, Mandy is a sweet feminine songbird at a high register, and Savannah makes her hands one with the drum to drive the beat. You can listen to Root Beer Float and Beautiful You at http://honeyhouse.me/media/ Their previous two albums as a trio were Medicine Lodge and Sun. Song segments are here http://www.allmusic.com/artist/honeyhouse-mn0002832872/songs

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Celebrated artists show at Abraham
Plainview Daily Herald (TX) – Saturday, July 19, 2014
Author: Abraham Art Gallery

The American Watercolor Society’s One Hundred Forty-Seventh International Exhibition — 2014, is now on view in the Abraham Art Gallery, Malouf Abraham Family Art Center on the campus of Wayland Baptist University. Forty exceptional works in watercolor by some of the most celebrated watercolor artists in America, as well as works by international artists from Italy, Spain, Australia, Canada and Singapore are included in this exhibition.

“The Abraham Art Gallery is one of only five venues in the United States selected to receive this show, and we are very excited and honored to present this outstanding exhibit to our patrons in the West Texas region,” said Dr. Candace Keller, curator of art for the Abraham Art Gallery and Museum of the Llano Estacado. “Helen Napoly, the New York Exhibition chair, and John Patt, executive director at AWS, assisted in extending the exhibition dates through October to allow scheduling for out-of-town groups and individuals to see this show, which always draws a large audience.” In addition, Dr. Keller stated that “collectors will be particularly interested in viewing this exhibit as these award-winning watercolor works will be available for sale in the Gallery.”

This annual juried exhibition of the American Watercolor Society is open to all artist members, associates and independent artists worldwide, and their awards total 40,000 annually. Signature members of the Society number about 500 with 1,200 associate members.

The history of this society of artists begins in 1866, when a group of 11 painters met at the studio of Gilbert Burling in the New York University Building to form “The American Society of Painters in Water Color.” The newly formed society held its first exhibition in the fall of 1867, and these annual exhibitions have continued to the present time. In 1878, the name was changed to the American Watercolor Society, and it was incorporated in 1903. In 1933, the AWS Silver Medal was established, with the AWS Gold Medal of Honor first awarded in 1948. Traveling shows, first termed “rotary shows,” were initiated in 1905, visiting Buffalo, Cincinnati, Detroit, Indianapolis and St. Louis.

The three watercolor works honored with the Silver, Gold and Bronze Medals are included in this exhibit, along with all the other works receiving major awards in this year’s competition.

There is a long and continuing tradition of watercolor painting in America, and the goal of the society is to raise public awareness of this history and to honor the excellence of watercolor artists.

Show dates for the American Watercolor Society One Hundred and Forty-Seventh International Exhibition — 2014, in the Abraham Art Gallery are July 11 to Oct. 31, 2014. The gallery is located in the Mabee Learning Resource Center on the WBU campus, and gallery hours are 10 a.m.-5 p.m. Monday through Thursday, 10 a.m.-4 p.m. Friday, and 2-5 p.m. Saturday, or by appointment. Catalogs of the show will be available for sale to benefit the scholarship fund. Admission is free.

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PETER ROGERS, ARTIST OF ICONIC TEXAS MURAL, TO SPEAK AT STATE LIBRARY AND ARCHIVES. AUSTIN, Texas, July 17 – “Peter Rogers, the artist of “Texas Moves Toward Statehood,” a dramatic mural of Texas history https://www.tsl.texas.gov/mural-artists.html) that has been a fixture in the lobby of the Lorenzo de Zavala State Archives and Library Building (https://www.tsl.texas.gov/landing/contact.html) for 50 years, will return to Austin for a public talk at the Zavala Building, Thursday, July 31, at 6 p.m. The building is located at 1201 Brazos Street, Austin, Texas, just east of the State Capitol. Rogers, who lives in New Mexico, will speak about his experience painting the mural, his acquaintance with two governors – Price Daniel who participated in the mural’s commission, and John Connally, governor when it was completed in the summer of 1964 – details of the mural, and his career in art. A limited quantity of high-quality versions of the mural on paper and canvas signed by the artist will be available for a contribution to the Friends of Libraries & Archives of Texas. Please rsvp at rsvp@tsl.texas.gov or (512) 463-5460. Targeted News Service (USA) – Friday, July 18, 2014.

Pelican books, a non-fiction imprint of Penguin Books, is being published again after a long hiatus [stopped in 1984]. An example of exceptional quality and value is Ha-Joon Chang, Economics: The User’s Guide: A Pelican Introduction (Penguin Books Ltd 2014) new at ABE Books $11.42 incl s&h no sales tax. http://www.theguardian.com/books/2014/apr/25/pelican-books-take-flight-relaunch

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Medicare Made Clear Blog http://www.blog.medicaremadeclear.com includes a four part series on Meditation that is excellent

Meditation 101: Part 1 Managing Stress With Meditation Part 2 What Is Meditation? 6 Myths Set Straight Part 3 How to Meditate in 3 Easy Steps Part 4 How Meditation Changes Your Brain http://blog.medicaremadeclear.com/blog/bid/205945?_ga=1.240174218.866427828.1406220772 is the first part with a link to the next three parts.

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Arts History Update for late July 2014

14 Jul

Arts History Update for late July 2014 by David Cummins

The National College Baseball Hall of Fame repository is the Southwest Collection/Special Collections Libraries at Texas Tech University and there is a display exhibit now through September 30 noting the events of the past season. For Texas Tech the most important event was that its baseball team made the last eight teams in the nation at the College Baseball World Series in Omaha Nebraska
and for that accomplishment the team’s coach Tim Tadlock was awarded as National Coach of the Year. http://today.ttu.edu/2014/06/the-road-that-led-to-omaha/ This was the first time for Texas Tech to be in the College World Series. Regrettably it lost its first two games and left town a bit deflated. Fans recall that it made it into the regional tourney at Coral Gables Florida and won, then hosted a super regional in Lubbock and won that in two straight games, fueling an enormous surge of pride that persists.

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When companies say they participate in Social Media to advertise and inform about their product or service and connect with the market, what do they mean? Essentially, their staff keeps up a constant presence on:

1. You Tube channel
2. Facebook
3. Twitter
4. Foursquare
5. Flickr
6. Instagram
7. Linkedin
8. Wikipedia
9. Pinterest
10. Tumblr

An example is Texas Tech University https://www.youtube.com/user/texastech and https://www.facebook.com/TexasTechYou and https://twitter.com/TexasTech and https://foursquare.com/texastech and https://www.flickr.com/people/texas-tech/ and http://instagram.com/texastech and http://www.linkedin.com/edu/texas-tech-university-19505 and http://en.wikipedia.org/wiki/Texas_Tech_University and http://www.pinterest.com/scrappydoo/texas-tech/ and http://www.tumblr.com/tagged/texas-tech

There’s a verb associated with each form of social media, to alert us that this is an activity folks are encouraged to engage in, and of course the more they engage with a company or institution the more the latter has reached its goal. Do you “pin” or “link” or “tweet” or “like” or “follow” or ‘tag” etc.

There are many more social networking services. http://en.wikipedia.org/wiki/Social_network_service
The responsible and sensible use of social media on behalf of one’s employer is a skill for which employers pay top dollar when it’s demonstrated to help the company. Some companies outsource this activity, often to a public relations firm, and others employ staff in-house to carry it out.

Of course there is always the possibility of doing something badly, and we know that some folks will appropriate and share confidential and private information and images. Youngsters who have been “outed” in this manner have been so devastated as to attempt or commit suicide.

One sober although not often appreciated stance toward social media, is to be aware that someone, a total stranger with an agenda unknown to you, is repeatedly watching and listening to social interactions. It may be so commercial and mundane as someone trying to figure out who might be a likely market for the watcher’s commercial product and so should be targeted as a consumer. It may be headhunters or potential employers wanting to know about the private lives of persons of interest.

The vigilant and safe folks will take more time and telephone to have a private conversation or meet and talk over coffee eye to eye. Only in that context will private information be exchanged. Not on social media.

When something happens live, like athletic events and concerts, and communities of fans and supporters can interact to and with it, savvy operators of those events create Social Media platforms for fans and supporters to respond, often instantly so unconsidered, emotional and inconsiderate responses abound. Athletic Departments at universities are an example http://www.texastech.com and notice the “Live Chat” drop-down dialogue box that you can be assured is monitored by an athletic department employee. Here’s a long list of social media sites devoted to Texas Tech Athletics http://www.texastech.com/marketing/socialmedia.html including a way to instantly respond to head coaches in each of the sports.

In days of yore we noticed Monday morning quarterbacks chatting about what the football coach should or shouldn’t have done at last Saturday’s game. Today with digital social media, that “quarterback” sitting in row 37 or at home watching on television can “correct” the coach instantly. Thankfully, pressing the send button is a one way transaction, and the coach may not read or receive the message until Monday morning.

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Tex Thornton:
King of the oilfield firefighters
and rainmaker
by Clay Coppedge

 

The oil fields of the Texas Panhandle in the 1920s and ‘30s were a place where a man who knew how to use nitroglycerin could make a good living for himself. Ward A. “Tex” Thornton was such a man. He learned all about nitro when he went to work in 1913 for an Ohio company that manufactured torpedoes. He brought that knowledge along with a steady hand and no small degree of courage to the oil fields around Amarillo in 1920.
Thornton was sent to Amarillo in 1920 as a branch manager for U.S. Torpedo Company of Wichita Falls where he learned about the peculiar nature of those oil fields and how nitroglycerin, which he knew all about, was in high demand. The problem was handling and using nitroglycerin without blowing everybody and everything around it to atoms.

Nitroglycerin, first developed in Italy in 1847, was adapted commercially by Alfred Noble of peace prize fame as a high explosive, which meant that it was highly unstable and could be set off with just the slightest jolt; numerous explosions of the spectacular but tragic variety attested to this and led to it being widely banned, which was bad for Nobel’s nitroglycerin factory. He experimented with it some more and eventually stabilized it with the use of diatomaceous earth in the manufacture of an explosive he called dynamite. (Yes, the man for whom the Nobel Peace Prize is named invented dynamite.)

Nitroglycerin in its raw form was used in the Panhandle oil fields in a couple of ways. Well shooters like Tex Thornton would put it into promising holes to create an explosion intended to shake the oil loose and bring it to the top; the thick limestone formations in the fields made it necessary to use a lot of nitroglycerin. The fields also held large amounts of natural gas, which made dropping little canisters of nitroglycerin into well holes occasionally problematic.

Demonic gas vapors sometimes caught the canisters and forced them back up the well hole. When that happened it helped to be able to (a) run very fast, or (b) catch the canister when it came back up. Bobble the nitro and the well shooter and everyone and everything in his immediate vicinity would be toast. Thornton was said to be one of the best at catching the nitro when it came back up.
The high levels of natural gas also made the fields susceptible to fires. One way to extinguish such a fire was to drop a charge of nitro into the fire and explode it; the explosion sucked all the oxygen from the fire and snuffed it out. When the threat of starting additional fires was too great to use the nitro, Thornton would smother the fires with massive amounts of steam and water, which took about three weeks, 20-30 men, and 50 steam boilers; but it worked. Tex Thornton was known as the king of oilfield firefighters.

Later, during the Dust Bowl, he picked up a reputation as a rainmaker or charlatan, depending on your point of view. There’s no evidence that Tex Thornton did not believe that explosions properly placed in the clouds would produce rain. Napoleon believed it, World War I soldiers believed it, and in the 1930s everybody in Dalhart, at the cold, flat and windy northwestern tip of Texas, was ready to believe it, too. Thornton probably believed the theory that rain follows artillery but if he tried such a thing anywhere other than Dalhart it hasn’t been widely reported.

Dalhart was hit especially hard by the Dust Bowl. The bank failed on June 27, 1931, a day when the temperature reached 112 degrees. That began the first of eight years with very little rain and the beginning of the most destructive dust storms in history. Dalhart was one of the worst-hit communities in the nation.

Tex Thornton showed up in Dalhart right the middle of the town’s misery, in 1935. He told the city he believed he could make it rain. He certainly tried. He set off explosives in the clouds for several days, battling dust storms and high winds much of the time. People came from miles around to watch him but the blowing dust drove most of the spectators away. Thornton stayed at it. Finally, it snowed. Then, as the temperatures warmed, it sleeted.

For all anybody knew, Tex Thornton had coaxed moisture out of the sky in Dalhart, though places like Kansas and Colorado, way out of range for Tex Thornton’s nitroglycerin, also got snow and rain in roughly the same amount at roughly the same time.

His reputation as a well shooter, firefighter and rainmaker made Tex Thornton something of a legend in the Panhandle but he met with an unfortunate ending that had nothing to do with a large explosion, as we might expect. Thornton was murdered by two hitchhikers he picked up on June 22, 1949.

The man and woman charged in the murder – the hitchhikers – were not convicted. The trial was of the sensational variety, and aspersions were cast on Tex Thornton’s character, an ignoble end for a legendary character of both oil field and Dust Bowl lore.

 

Ward A. “Tex” Thornton’s son was Charles Bates “Tex” Thornton “whiz kid’ at Ford Motor Company and Hughes Aircraft, and founder and CEO of Litton Industries,
in whose name funds were given to Texas Tech University to endow professorships. Charles B. Thornton 1913-1981 was born in Haskell Texas and was abandoned by his father soon thereafter. Charles attended Texas Technological College for two years majoring in business administration. Haskell is north of Abilene Texas on US Highway 277.

Opening up the Northwest

There were three railroads that operated from the upper Midwest to Seattle, the Northern Pacific Railway, http://en.wikipedia.org/wiki/Northern_Pacific_Railway the Great Northern Railway, http://en.wikipedia.org/wiki/Great_Northern_Railway_(U.S.) and Chicago Milwaukee St Paul and Pacific Railroad [called The Milwaukee Road] http://en.wikipedia.org/wiki/Chicago,_Milwaukee,_St._Paul_and_Pacific_Railroad In addition, the Union Pacific Railroad [the first transcontinental line chartered by President Lincoln in 1862] came north to Portland in 1884 and Seattle 1888 from San Francisco.
The Northern Pacific was chartered by President Abraham Lincoln on July 2, 1864 for a line from Lake Superior to Puget Sound. Construction began in 1870, was delayed by Indian wars, and was completed in 1888 by a direct route through Missoula Montana crossing the Bitterroot Mountains at St Paul Pass and Taft Tunnel [1.6 miles, east entrance in Montana west entrance in Idaho] on to Lookout Pass and Wallace Idaho, http://www.ridethehiawatha.com/the-trail and Stampede Pass in the Cascade Mountains west of Yakima, and by an indirect route from Spokane down to the Columbia River and then north from Portland Oregon to Seattle Washington. 15,000 Chinese laborers and 10,000 Anglo laborers were used in the construction.
The Great Northern, bankrolled by James J. Hill, took a more northern route, what is currently US Highway 2 route, through the Montana High Line country, Glacier National Park Montana, Sandpoint Idaho, Spokane Washington and across the northern Cascade Mountains at Scenic Washington [Old Cascade Tunnel 2.6 miles and New Cascade Tunnel 7.8 miles 1928-1989] in the Stevens Pass area http://www.roadsideamerica.com/tip/16418 reaching Puget Sound in 1893. John F. Stevens was chief engineer for the Great Northern.
In the economic Panic of 1893 the Northern Pacific slipped into bankruptcy but the other railroads carried on.
Railroad lines converged in Seattle in the 1890s and the two permanent downtown stations or terminals were constructed later, King Street Station (1906) [Great Northern and Northern Pacific] and Union Station (1911) [Milwaukee Road and Union Pacific].
Today all the lines have been merged into the Burlington Northern Santa Fe Railroad and its trackage is an amalgamation from former railroads. The current Amtrak passenger service eastward is on the Empire Builder train and its western terminus is King Street Station with its 12 story clock tower. http://www.amtrak.com/ccurl/229/381/Amtrak-Empire-Builder-Train-Route-Guide.pdf The current passenger service southward to Los Angeles is on the Coast Starlight http://www.amtrak.com/ccurl/574/978/Amtrak-Coast-Starlight-Train-Route-Guide.pdf By law passenger service today must defer to freight train traffic, so train schedules for passengers are guides or suggestions. It’s relaxation and beverage time all day and night.
The historic Hiawatha train was a Milwaukee Road passenger train that ran between Chicago and Seattle. Today it is an Amtrak service between Milwaukee and Chicago. The historic Empire Builder train was a Great Northern passenger train service between Chicago and Seattle and the historic North Coast Limited was a Northern Pacific passenger train service between Chicago and Seattle. These three historic passenger trains were flagship trains and marked the apogee of haute railroading in the early 20th century. The freight cars and trains were the economic engines of the northwest.

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Brewmasters Craft Beer Festival 2014, the fifth annual, is Labor Day weekend August 29-31 at Moody Gardens in Galveston Texas. It locks down a hot Texas Summer about as well as anything might. http://www.brewmastersbeerfest.com/home.shtml The best craft beer made in Texas is definitely present, and some excellent craft beer from around the nation is on offer. Free van service back to your hotel so no one gets into trouble on the road after imbibing. The other trouble is yours to navigate.

Brewlicious Brews & Food Pairing at $75 per person on August 29 in the Ballroom, and Brewhaha Grand Tasting at $35 per person in the Convention Center on August 30, and Beach Brews & Bands at $10 per person on August 31 for an evening concert with fireworks over the lake, among other events, make up the weekend http://www.brewmastersbeerfest.com/events.shtml I like the Pub Crawl around the city of Galveston event, with all transportation provided on Saturday evening, and I’m guessing the promoter stocks those pubs in advance with some of the best Texas beers so crawlers/aficionados will find their desires satisfied.

Moody Gardens at any time of year is a destination in itself http://www.moodygardens.com/

 

Bay Model Visitor Center at 2100 Bridgeway Boulevard, Sausalito California is a 1.5 acre working three-dimensional hydraulic model of San Francisco Bay San Pablo Bay and the Sacramento River – San Joaquin River Delta System, open to the public Tuesday through Sunday free admission http://www.spn.usace.army.mil/Missions/Recreation/BayModelVisitorCenter.aspx US Army Corps of Engineers San Francisco District and the national parks and recreation system is the landlord. The model area is San Francisco Bay, San Pablo Bay [northeast to Vallejo], and Suisun Bay just west of where the Sacramento River flowing south from the Sacramento Valley meets the San Joaquin River flowing north from the Central Valley http://www.wrightrealtors.com/San-Joaquin-Delta.htm City of Stockton is to the east of that river systems delta and is on the San Joaquin River. Since 1933 there is a deep water channel that permits ships entering San Francisco Bay to proceed through Suisun Bay all the way to Stockton and to West Sacramento where there are turning basins. Carquinez Strait connects San Pablo Bay with Suisun Bay.

What a thrill it must be to walk around the expanse of the model feeling like a giant striding across the lands and waters and gaining a perspective not readily otherwise achieved.

The source of the San Joaquin River is the Mount Goddard area in Kings Canyon National Park in the Sierra Nevada Mountains and the river flows southwest to Fresno in the Central Valley and then north roughly parallel to Interstate 5 Highway. A myriad of diversions for agricultural irrigation purposes and some hydroelectric facilities make the San Joaquin a highly utilized river. This area of the Central Valley is referred to as the Thousand Lakes area.

The source of the Sacramento River is in the Klamath Mountains south of Mount Shasta in Siskiyou County http://en.wikipedia.org/wiki/Sacramento_River and flows south roughly parallel to Interstate Highway 5 through the cities of Redding, Red Bluff, and Colusa to the City of Sacramento [joined there by the American River] and converges with the San Joaquin 40 miles south of the city. The city of Chico is on Butte Creek but is only a few miles east of the Sacramento River so Chico folks go tubing on the Sacramento at Scottys Landing http://www.yelp.com/biz/scottys-landing-chico

 

Arts History Update for mid July 2014

10 Jul

Arts History Update for mid July 2014 by David Cummins

Tim’s Vermeer (2013) is an 80 minute documentary film about inventor Tim Jenison’s quest to discover how Dutch painter Johannes Vermeer 1632-1675 could paint so photo-realistically 150 years before photography was invented. http://www.imdb.com/title/tt3089388/?ref_=ttmd_md_nm Vermeer https://www.google.com/webhp?sourceid=chrome-instant&ion=1&espv=2&ie=UTF-8#q=johannes%20vermeer%20artwork His life and that of Baruch Spinoza Dutch philosopher 1632-1677 were coterminous https://www.google.com/webhp?sourceid=chrome-instant&ion=1&espv=2&ie=UTF-8#q=baruch+spinoza Vermeer was mostly located at Delft while Spinoza started in Amsterdam and ended in The Hague.

Exposition of the value of Spinoza as an original thinker http://www.iep.utm.edu/spinoza/

Vermeer: The Complete Works (ed. Renzo Villa, Silvana Editoriale 2012) Texas Tech Library ND653.V5 A4

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Most of the sewage water in Lubbock is treated and upgraded to stream water quality and discharged into Yellowhouse Canyon’s North Fork of the Double Mountain Fork of the Brazos River. Downstream at John Montford Dam near Justiceburg it rests in Lake Alan Henry and then is piped up to southwest Lubbock, treated again, and is potable water coming out of our taps.

Less is going on our lawns and gardens since we are in stage # 2 drought restrictions on water usage since June 1. The parks in town where the water table is high have pumps that draw up non-potable water that is then placed into the irrigation system for the park, so lesser quality water is used to irrigate those parks and thus saves/conserves on usage of highly treated potable water.

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Nicole Tonkovich, The Allotment Plot: Alice C. Fletcher, E. Jane Gay, and Nez Perce Survivance (University of Nebraska Press 2012) can be read online free in PDF files at Project Muse http://muse.jhu.edu/books/9780803271524 which is an online database of humanities and social sciences documents gathered by Johns Hopkins University. Notice that several other books dealing with the Nez Perce Indians are able to be read online, Numipu Among the White Settlers, Paralax, Transit Transmotion: Reading Race in the Allotment Photographs of E. Jane Gay, Nez Perce Country by Alvin M. Josephy, Jr., and Saving The Reservation: Joe Garry and the Battle To Be Indian by John Fahey [Garry was a Couer d'Alene not a Nez Perce] Here is an excerpt of a review of Tonkovich’s book http://muse.jhu.edu/journals/legacy/summary/v030/30.2.round.html

A bit of context may be helpful to understanding what this book is about. The Dawes Act of 1887 was enacted by Congress to achieve two things, reduce the size of the reservations granted to many Indian tribes in the west, and assimilate the Indian people on or near those reservations into the culture of non-Indian America. As far as reduction goes, Congress actually thought the treaties granting of such huge swaths of land may have been necessary to gain peace with Indians but wasn’t necessary for them to exist and thrive on ancestral lands while non-Indians settled and progressively improved and opened up the west. Accordingly, the reduction land was made available to homesteaders, timber companies, transportation networks, and town sites. The assimilation goal was to be achieved by taking the remaining [some was kept for tribal and communal use] reservation lands and dividing them up into individual and family plots or tracts of land, often 160 acres in size per individual, and allotting them to registered Indians.

The Nez Perce tribe was based in three Indian Agency places: Nespelem in eastern Washington shared with the larger group of Colville Indians, and Lapwai and Kamiah in north central Idaho. While Chief Joseph was kept by the US Army at Nespelem, the larger band of Nez Perce were on or near the Clearwater River in Idaho and the two Indian Agencies were at Lapwai and Kamiah. Spalding, on the river itself, was only six miles from inland Lapwai in a verdant valley. The allotments to individuals and families of Nez Perce Indians occurred from 1889-1892 and Alice C. Fletcher an ethnographer anthropologist and her assistant, a photographer, E. Jane Gay, were assigned by the US Government to manage the allotment process and record and report its implementation to the government. They did so and a formal record of their reports has long existed as a public record document that up to now has supplied the accepted history of the allotment process. Tonkovich located the private diaries and correspondence of Fletcher and Gay and uses those alongside the formal reporting to tell an entirely different story, largely from the Nez Perce perspective, of what happened during and following the allotment process.

There were in fact many Nez Perce who were not registered with the local Indian Agencies during the four year period 1889-1892 and some of those people when later registered were generously allowed to receive belated allotments, often on a part of the reservation they’d never seen much less lived on, and many were not allowed registration despite believing themselves to be Nez Perce. Furthermore, allotments only resulted in a federal patent [deed by the federal government to an individual person or persons] if the allottee lived on the land and made improvements on it to show that s/he husbanded or cared for the land. Many Nez Perce sold their allotted and patented lands quickly as soon as the federal government allowed a market for those lands. It would be astonishing to make a survey of formerly allotted lands to see how many and what percentage of them remain in Nez Perce hands as compared to how many are owned by non-Indians. Congress didn’t know it at that time, but a gradually changing policy on reservation lands would demonstrate that members of tribes would often enjoy more fruits from the reservation land if it were controlled by the tribal entity and it could parcel out usage rights but not ownership to individuals and families. Most people would say that tribal entities have been fairer to individual members than the federal government-appointed Indian agents were. Historically, Indian agents often consulted with tribal elders before making decisions anyway, so it made sense to let the elected tribal officials make the decisions directly.

Here is a map of the current Nez Perce Indian Reservation http://www.mapquest.com/us/id/nezperce although a good deal of that land is in towns and privately owned by individuals Indian and non-Indian, and farmland or grazing land owned by individuals Indian and non-Indian. The remainder within that large shaded area is actually Nez Perce Indian Reservation and currently managed by the Tribe. There is a tribal-managed casino at both Lapwai and Kamiah and a museum Nez Perce National Historic Park Museum at Spalding and another at Kamiah. US Highway 12 runs along the course of the Clearwater River as it flows west to enter the Snake River at Lewiston Idaho Clarkston Washington on the border. US Highway 95 turns inland at Spalding, runs past Lapwai and goes up Winchester Grade to enter on top of the Camas Prairie named for the camas plant that is indigenous to the area. There is a Kamiah Grade highway that winds down off the Camas Prairie toward Kamiah down on the Clearwater River. The town of Grangeville is off the reservation as is Cottonwood on the southern end of the Camas Prairie. South of Grangeville on US Highway 95 is White Bird Grade [famous due to a US Army battle June 17, 1877 Battle of White Bird Canyon with Nez Perce at that site http://en.wikipedia.org/wiki/Battle_of_White_Bird_Canyon ] that leads down off the Prairie to the town of Riggins on the Salmon River. The towns surrounded by the reservation but on private land are Winchester, Craigmont, Nez Perce, Ferdinand, Orofino, Reubens and Gifford.

Incidentally White Bird, a Nez Perce chief along with the better known Chief Joseph, was victorious in the Battle of White Bird Canyon but was forced thereafter to flee the attacking US Army in 1877 under General Nelson Miles, and Joseph surrendered near present day Havre Montana October 1877 but White Bird and a small group made it into Canada and he lived out his life in Pincher Creek Alberta http://en.wikipedia.org/wiki/White_Bird_(Native_American_leader) where he was murdered by a young 22 year old Nez Perce in 1892.

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Cyril Lionel Robert James 1901-1989 was an Afro-Trinidadian writer who left Trinidad in 1932 for London, left England in 1939 for USA, and left USA deported back to England in 1953 for his radicalism and revolutionary activities. He stopped writing under his real name while in the United States and shared Marxist views with anyone who would listen. He actually wrote some things under one or another pen name but at the time they weren’t traceable to him. http://www.marxists.org/archive/james-clr/biograph.htm He wrote The Case for West Indian Self-Government (1933) and his masterpiece The Black Jacobins (1938) attempting to use the Haitian Slave Revolution of 1791-1803 [French colony of San Domingo is today known as Haiti] as a contemporary primer for all oppressed black populations anywhere. His book was banned in the Union of South Africa but parts were spirited into the country and he was well read by Africans there.
He wrote a play in 1934 Toussaint Louverture: The Story of the Only Successful Slave Revolt in History; A Play in Three Acts that was produced on stage in London starring Paul Robeson in the title role in 1936, and Duke University Press published the play in 2012 after it was found in 2005. https://www.dukeupress.edu/Toussaint-Louverture/index-viewby=author&lastname=James&firstname=C.&middlename=L.+R.&sort=newest&aID=690606.html He expanded upon the play to complete his book The Black Jacobins (1938,
Vintage Press 1989 $13.83). Duke University Press also recently published James’s 1932 biography The Life of Captain Cipriani: An Account of British Government in the West Indies (2014) $18.80 and a biography C.L.R. James in Imperial Britain (2014) $20.99 by Christian Hogsbjerg.

If you hadn’t heard of James, be supported in that Texas Tech Library contains none of the above works. James however has a Facebook page in his honor https://www.facebook.com/pages/C-L-R-James/40120657425 that include videos showing him in his later years.

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Florence Bean James & Jean Freeman, Fists Upon a Star: A Memoir of Love, Theatre, and Escape from McCarthyism (University of Regina Press 2013) 359 pages hardcover $26.96. James 1892-1988 was a pioneering American theater director who first put Jimmy Cagney on stage, and founded the Negro Repertory Theater and Seattle Repertory Playhouse. After being cited by the Congressional Un-American Activities Committee and two trials, she fled to Saskatchewan Canada.

TV-PBS ART 21 Art in the Twenty-First Century television series season 7 will be broadcast on four Fridays October 24, 31, November 7, 14 featuring twelve artists, three per one hour episode. http://www.art21.org/films/art-in-the-twenty-first-century-season-7-2014?utm_source=newsletter&utm_medium=email&utm_campaign=Art21_SA Local broadcast times may differ. http://kttz.org/tv/kttzdt

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Becky Taylor, Another Darkness, Another Dawn: A History of Gypsies, Roma and Travellers (Reaktion Books 2014) 272 pages $39 by publisher, Amazon.com $31.88 ABE Books new $29.59 incl s&h
If there was ever any people within the homeland of other people, who were more despised and discriminated against and feared, and forced to travel on, somewhere, anywhere, but get away from here, it’s the Romani. The leadership in some European countries has recently made a place for Romani within the geography of their countries, and some Romani are now settling down, owning property, and gradually becoming citizens. As they interact with the citizenry of the country and become members of a larger society as well as members of their Romani clans, an assimilation will occur and an ugly period in European history will be history of an ugly period.

Jennifer L. Weber, Copperheads: The Rise and Fall of Lincoln’s Opponents in the North (Oxford University Press 2006) 304 pages $13.13 e-book $8.79 Texas Tech Library E458.8 W43 and electronic download
Review: If Civil War battlefields saw vast carnage, the Northern home-front was itself far from tranquil. Fierce political debates set communities on edge, spurred secret plots against the Union, and triggered widespread violence, such as the New York City draft riots. And at the heart of all this turmoil stood Northern anti-war Democrats, nicknamed “Copperheads.” Now, Jennifer L. Weber offers the first full-length portrait of this powerful faction to appear in almost half a century. Weber reveals how the Copperheads came perilously close to defeating Lincoln and ending the war in the South’s favor. Indeed, by the summer of 1864, they had grown so strong that Lincoln himself thought his defeat was “exceedingly likely.” Passionate defenders of civil liberties and states’ rights – and often virulent racists – the Copperheads deplored Lincoln’s suspension of habeas corpus, his liberal interpretation of the Constitution, and, most vehemently, his moves toward emancipation. Weber reveals how the battle over these issues grew so heated, particularly in the Midwest, that Northerners feared their neighbors would destroy their livestock, burn their homes, even kill them. Indeed, some Copperheads went so far as to conspire with Confederate forces and plan armed insurrections, including an attempt to launch an uprising during the Democratic convention in Chicago. Finally, Weber illuminates the role of Union soldiers, who, furious at Copperhead attacks on the war effort, moved firmly behind Lincoln. The soldiers’ support for the embattled president kept him alive politically in his darkest times, and their victories on the battlefield secured his re-election. Disgraced after the war, the Copperheads melted into the shadows of history. Here, Jennifer L. Weber illuminates their dramatic story. Packed with sharp observation and fresh interpretations, Copperheads is a gripping account of the fierce dissent that Lincoln called “the fire in the rear”.

I am looking forward to reading this book. It comes perilously close to my personal situation. Before President Bush took us into a war in Afghanistan in 2002 I was strongly opposed to doing that and spoke for just sending CIA/ DOD teams into the country to get Osama Bin Laden and his terrorist compatriots, but leave the Afghans alone and let them deal with their current Taliban government. Once war was started I am a Lieutenant Colonel in the United States Army Reserve and gratefully receiving a pension from my government for more than twenty years of service, so I stopped opposing a potential war and started favoring limited objectives for the existing war that included flushing out Osama Bin Laden and his terrorist compatriots. The following year in March 2003 President Bush took the nation into a war in Iraq, and prior to that event I strongly opposed doing so and spoke for dealing with Saddam Hussein and his weapons of mass destruction in a more artful manner. Once our nation was at war I again started favoring limited objectives for the existing war, assuring the absence of such weapons of mass destruction and assisting in a regime change conducted by Iraqis for Iraq, and an early departure for our troops. I thought then and hoped that I could be loyal and supportive and follow the flag in wartime and encourage the best of outcomes for our nation and the Afghans and Iraqis, and not be a Copperhead even though I had earlier opposed going into war. More recently, when Syrians revolted against the Alawite Shia dictatorial regime of the Assad family, I opposed sending in American troops and spoke for limited logistical support for oppositional Syrians. President Obama selected that path so war by America was avoided.

Looking back into our history, I can appreciate how keenly Southerners and southern states wished to continue their agricultural based economies and their slave-based crop production methods, and how exhausted they were by the endless debates from the 1820 Missouri Compromise onward, so the election of Lincoln to the presidency was the final straw in the haystack, and South Carolina would secede within days of his inauguration. At that point there was a fierce and appropriate soul-searching that must have occurred by all Northerners and Southerners. If I had lived then and were a Southerner I might have been like Sam Houston and thought secession and war a poor choice, but stepped aside since the vast majority wanted it. If I were a Northerner I might have proposed that our nation befriend the Confederacy and seek to be good neighbors with it as an independent nation. One cannot fully place oneself into another time, but the point is that there were options not taken. Good loyal citizens may have preferred those options and wanted to avoid a Civil War. I am sympathetic for those Northerners and Southerners who preferred other options, but were swept along into secession and a war to either preserve a union or achieve independence for a separate Confederacy Republic.
It is to President Lincoln’s credit that, after re-election in 1864 and some important victories by the Army in the field, that he made plans to not prosecute Copperheads for treason or their violent actions toward their neighbors but rather forgive them and move on, and those plans were respected and carried out by President Johnson and Congress.
As a soldier in the Army that fought the Vietnam War, at the very moment that Jane Fonda was in Hanoi visiting with Ho Chi Minh, I forgave her as I think Abe Lincoln would have also. I’m glad she was not prosecuted or harassed. Long after that war ended I read a biography of Ho’s life and imagined how ironic and even amusing he must have found the Hollywood actress’s visit. His perspective was to keep his nation free from the mega-beast China on his northern border and from the French colonialists and American hegemonyists. He did so and Saigon was renamed Ho Chi Minh City and he occupies a father of his country status.

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Simon Winchester, The Men Who United the States: America’s Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible (Harper Collins 2013) $22.22 hardcover $12.99 paperback e-book $1.99 for a short time, Lubbock Public Library 973 WINC Texas Tech Library E178.W8
Winchester is a Brit who wrote several books while visiting and resident in America and recently dropped United Kingdom citizenship and become an American, so this is a paean or encomium for his newly adopted country.

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Harold Dow Bugbee 1900-1963 was a Texas painter, illustrator and curator of art for the Panhandle Plains Historical Society operating from his family’s ranch near Clarendon Texas. http://www.tshaonline.org/handbook/online/articles/fbu14 An exhibit of his art on loan from the Panhandle Plains Historical Museum in Canyon Texas is on view from July 19, 2014 at National Ranching Heritage Center, Texas Tech University, Lubbock Texas. http://nrhc.ttu.edu/historical-park-museum/exhibits/ The exhibit is curated by Michael Grauer, Curator of Art and Western Heritage at the Panhandle Plains Historical Museum who will speak at the opening reception on July 19 at 1:30 pm.
Bugbee was only 14 years of age when his family moved from Lexington Massachusetts to Clarendon Texas where his father’s cousin T. S. Bugbee owned a ranch outside of town. By age 21 Harold graduated from the Cumming School of Art & Design in Des Moines Iowa [operated from 1900-1954]
http://www.lib.uiowa.edu/scua/archives/guides/rg99.0029.html and his career commenced. Harold would return to and live on that ranch throughout his career so his art was informed by his ranch experiences in the Panhandle Plains. http://panhandleplains.org/pages/hd_bugbee_art_gallery_59.asp
He was a notable art teacher http://caseta.org/files/early_texas_art_schools.pdf West Texas State Normal College, a teacher’s college, [now West Texas A&M University] offered classes in the applied or practical arts, from its inception in 1910. Among the steady stream of art instructors at WT were Georgia O’Keeffe who was in Canyon from 1916 to 1918, although had yet to decide if teaching or painting was her life’s direction. However, a provision in O’Keeffe’s contract with WT required her to take classes from Arthur Wesley Dow at the Art Students League in New York City. Dow was the leading proponent of Modern Art in the United States at the time. For a school traditionally considered one of the most conservative in Texas, in one of the most conservative parts of Texas, this requirement to teach Modern art tenets is simply amazing for the time.
Under the direction of Isabel Robinson, WT sponsored the Palo Duro School of Art during the summers from 1936 through 1943. The PDSA brought instructors in from all over the United States to teach in the Palo Duro Canyon, including Texans Adele Brunet, A. W. Mack, Amy Jackson, and H. D. Bugbee. Students lived in tents or in stone cabins built under the New Deal Civilian Conservation Corps program and painted from Coronado Lodge on the rim or down in the Canyon bottom. World War II suspended the PDSA, which the Panhandle-Plains Historical Museum may resurrect. Lloyd Albright, a ticket agent for the Rock Island railroad at Dalhart, spent much of his spare time painting at Taos in the 1930s. Albright also offered some classes in oil and china painting, as well as design and furniture making. Maurice Bernson at Canadian and Russel Vernon Hunter at Farwell Texas and Texico New Mexico, also achieved acclaim outside the Panhandle and offered some art instruction.
Lissa Bell Walker, a Frank Reaugh student, taught in the art department of Wayland Baptist College at Plainview in 1912, two years after the school opened. At Brownfield, Ima Sawyer Lewis held private art classes in 1916 and Mado M. Prideaux taught art privately there from 1917 to 1923. At Lubbock, Lubbock High School formed its first art instruction in 1915. When Texas Technological College opened in 1925, it offered drawing courses through the school of engineering. Two years later a school of applied arts had been organized by Marie Delleney, later of Texas Women’s University, and the school expanded its offerings to include design, life drawing, watercolor, and art history taught by A. W. Mack, and others. Florian Kleinschmidt headed the new Texas Technological College Art Museum in 1935 which offered children’s classes under Floy Hooper. In 1937, the museum became the Texas Technological College Art Institute.
Fourteen years later the South Plains Art Guild was formed for: “the promotion of the creative arts within the South Plains area by means of exhibitions, lectures, classes in arts and crafts, and the elevation of the level of art appreciation by educational means. The Guild sponsored a series of workshops in the 1950s and 1960s, held by numerous Texas artists such as Manuel Acosta, Emilio Caballero, Bror Utter, Deforrest Judd, and Dorothy Bryan, and New Mexico artists such as Peter Hurd, John Meigs, and Carl Redin.

On January 9-31, 2009 at William Reaves Fine Art Gallery, 2313 Brun Street, Houston Texas there was an exhibit Painting West Texas 35 Artists/100 Years http://reavesart.com/images/catalogs/Catalog-Painting_West_Texas.pdf is the catalogue. Michael Grauer made the gallery talk for that event titled A History of Art Making in the Texas Out-Back

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Arts History Update for early July 2014

1 Jul

Arts History Update for early July 2014 by David Cummins

 

July is National Ice Cream Month and when the sun is beating down all day every day, you know why a cool-off is needed. If you’re a Texan you want a parlor that’s local, like Sweet Firefly in Richardson, Old Town Creamery in Plano, Amy’s in Austin since 1984 or Amy Simmons’ competitor Lick Ice Creams at 2032 South Lamar Boulevard in Austin, Hank’s in Houston, Beth Marie’s on the Courthouse Square in Denton, La King’s Confectionery in Galveston, Blue Bell Creameries in Brenham, or Holly Hop Ice Cream Shoppe 3404 34th Street in Lubbock.

 

Ask about the new and cool flavors like Cilantro Lime or Grapefruit with Champagne Marshmallows or Mexican Vanilla with Habaneros [chile peppers].

 

Chain stores are okay in this have it your own way environment, like Cold Stone Creamery or Marble Slab Creamery in Lubbock. Don’t be too old-fashioned or snobby and try out a custard, sorbet, gelato or frozen yogurt shop.

 

Custard – in Lubbock Sheridan’s Lattes and Frozen Custard or Freddy’s Frozen Custard & Steakburgers

Sorbet – in Lubbock try Holly Hop Ice Cream Shoppe

Gelato – in Lubbock Cold Corner Gelato & Smoothie Shop in Student Union Building Texas Tech University

Frozen yogurt – in Lubbock Red Mango Frozen Yogurt and Smoothies, Yofresh Yogurt Cafe and Spoonful Frozen Yogurt

 

Amy’s Ice Cream is served in Lubbock at The Arrogant Texan 1113 University Avenue. Blue Bell is served in many shops as well as for sale at supermarkets.

 

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Lubbock in the Loop website www.lubbockintheloop.com will keep you up to date on rumors and hard information about new businesses and happenings in town. For instance, are you prepared for Dawnstar Cheesecake Bakery and Cupcake Shop soon to open at Cactus Alley # 5 at 2610 Salem Avenue? If not, rattle its telephone for opening day information 806-786-3056.

 

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Food Trucks in Lubbock. The City Council is balking, requiring at the moment that they can only sell from a private property location and one where the owner/tenant in possession has granted permission for sales by a food truck. Have you noticed these trucks … Twist’d Texan, Crusty’s Wood Fired Pizza, La Picosita, Raspados Colima, Potbelly Slims, Blue Oasis Italian Ices, Street Eats, Jody’s Texas Pit BBQ. A petition drive for signatures to open up the city for street-side sales is being held Sunday June 29 at Garden Ridge parking lot 4304 West Loop 289 [old Sam's Store before it moved] from 12:30 – 3:00 pm offering free food samples for those who sign the petition. Even if you’re not sure you would wish to sign the petition, why not come by and talk to food truck operators and ask them what they would like to do, and how would that be a fair or appropriate usage of streets and grounds.

 

One perspective is that food trucks are a public health issue, but why can’t the city inspect and regulate trucks like they do restaurants? If they exist and are unregistered and “not within the tent” they will be rogue trucks and uninspected and unregulated for public health issues. It would seem that bringing them within a regulated food industry system is the best result.

 

Another perspective is that food trucks are free-riders competing against restaurants without paying rent, but in reality they are stand up can’t sit down mobile restaurants and we shouldn’t allow one form of business to use government restrictions to keep another form of business from existing and competing. Free trade allows all forms of business and competition for the custom of customers. Historically, in urban areas there were food cart vendors on city streets, usually push-carts where a man pushed his own cart to a street-side location and hoped to sell apples, pastries, etc. A century ago or longer, the food cart might have been a wagon hauled by a horse to a street-side location. The phenomena today is a new form of an old format.

 

Another perspective is street-side parking of food trucks prevents street-side parking of visitors and customers to the nearby locations, but other visitors and customers do the same since there are a finite number of street-side parking locations. The answer is to regulate duration of any one person’s usage of street-side parking whether it be a visitor, a customer, or a food truck, an old story of sharing the limited street-side parking that is available. There are signs today that limit some parking to 30 minutes, to an hour, and to two hours, in order to create an equitable sharing of limited numbers of parking spaces. Current city regulations forbid a business utility vehicle to park street-side unattended overnight in residential districts, thus forcing them onto private property with permission granted. Attended food trucks would rarely go to residential districts because of low contacts with customers, so their presence will be largely at commercial areas where there are masses of people who are invited and attracted.

 

I would like to know more about this industry and what real problems exist and how best they might be addressed.

 

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Andrei Platonov 1899-1951 was a writer who was 18 years of age when the Bolshevik Revolution took place and lived his entire life, a writing life, in a crippled Tzarist Russia or the Soviet Union. Igor Sats 1903-1980 befriended Platonov and as editor of Literaturny Kritik published Platonov’s literary criticism and fiction. Andrei Platonov, Soul and Other Stories (transl. Robert Chandler & Elizabeth Chandler, New York Review of Books Classic 2008) collection of eight short stories is in Texas Tech Library PG3476.P543 A2 http://www.the-tls.co.uk/tls/reviews/fiction/article741770.ece is a review of this book of stories.

Andrei Platonovich Platonov, The Foundation Pit (Pushkin House 1987 but unpublished at time of author’s death, written between 1926-1930 and held because it would have garnered persecution and possibly death if it were published and the author known) (transl. Robert Chandler & Olga Meerson, New York Review of Books 2009) categorized as non-fiction 224 pages at Lubbock Public Library 891.7342 PLAT it is in fact a historical novel set in an agricultural area that is being collectivized and is an early 20th century dystopia novel. The Soviet regime would not have liked itscollectivization program satirized as a dystopia

Translated from the Russian by Robert & Elizabeth Chandler and Olga Meerson
With notes and an afterword by Robert Chandler and Olga Meerson

In Andrey Platonov’s The Foundation Pit, a team of workers has been given the job of digging the foundation of an immense edifice, a palatial home for the perfect future that, they are convinced, is at hand. But the harder the team works, the deeper they dig, the more things go wrong, and it becomes clear that what is being dug is not a foundation but an immense grave.

The Foundation Pit is Platonov’s most overtly political book, written in direct response to the staggering brutalities of Stalin’s collectivization of Russian agriculture. It is also a literary masterpiece. Seeking to evoke unspeakable realities, Platonov deforms and transforms language in pages that echo both with the alienating doublespeak of power and the stark simplicity of prayer.

This English translation is the first and only one to be based on the definitive edition published by Pushkin House in Moscow. It includes extensive notes and, in an appendix, several striking passages deleted by Platonov. Robert Chandler and Olga Meerson’s afterword discusses the historical context and style of Platonov’s most haunted and troubling work.

 

Platonov’s reputation as one of Russia’s most important twentieth-century writers is confirmed by this new translation of his novel, The Foundation Pit. In a small town shortly after the revolution, workmen and low-level bureaucrats work on the foundation for an enormous building intended to house the entire town. They strive to finish it despite continual interruptions due to new and contradictory Communist Party requirements and assignments. Several of them get sent off to supervise collectivizing the surrounding region’s agriculture and in the process destroying the kulaks or “rich peasants” Platonov ruthlessly depicts how resentment underlay this purge of people whose only crime, often enough, was modest success. A brilliant satire of the Stalinist cultural revolution, the short novel also parodies the type of literature that was produced on command to glorify it, for Platonov uses a semi-literate, ironically folkish style that yet lets him give vent to melancholy asides. Platonov wrote this essential addition to twentieth-century world literature at a time when its discovery would have meant certain imprisonment and probable death, and he left it unpublished when he died in 1951. Its mere existence bespeaks a man of integrity and courage. ~–John Shreffler

From Booklist, Copyright © American Library Association. Used with permission.

http://en.wikipedia.org/wiki/Andrei_Platonov Platonov moved from central Russia to Moscow in 1927 and became a professional writer but by 1931 was sternly censored and often regarded as anti-totalitarian [against the regime]. Later his 15 year old son would be arrested and sent to a gulag where he contracted tuberculosis and then would be sent home where Andrei would nurse him, contract the disease himself, and die early in 1951.

Sheila Fitzpatrick went to Moscow and studied with Igor Sats in 1966-1967 learning much about the deceased Platonov and reading unpublished manuscripts of his including The Foundation Pit. She would return to England and write, essentially extensions of Platonov in Everyday Stalinism: Ordinary Life in Extraordinary Times, Soviet Russia in the 1930s (Oxford University Press 1999),http://www.the-tls.co.uk/tls/reviews/biography/article1410172.ece is a review of her Spy in the Archivesrecent book.

Here is a pioneering account of everyday life under Stalin, written by one of our foremost authorities on modern Russian history. Focusing on urban areas in the 1930s, Sheila Fitzpatrick shows that with the adoption of collectivization and the first Five-Year Plan, everyday life was utterly transformed. With the abolition of the market, shortages of food, clothing, and all kinds of consumer goods became endemic. It was a world of privation, overcrowding, endless queues, and broken families, in which the regime’s promises of future socialist abundance rang hollow. We read of a government bureaucracy that often turned everyday life into a nightmare, and of the ways that ordinary citizens tried to circumvent it, primarily by patronage and the ubiquitous system of personal connections known as blat. And we read of the police surveillance that was ubiquitous to this society, and the waves of terror, like the Great Purges of 1937, that periodically cast this world into turmoil. Fitzpatrick illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, traveling, telling jokes, finding an apartment, getting an education, landing a job, cultivating patrons and connections, marrying and raising a family, writing complaints and denunciations, voting, and trying to steer clear of the secret police.

 

Sheila Fitzpatrick, Stalin’s Peasants: Resistance and Survival in the Russian Village after Collectivization (Oxford University Press 1994) TTU Library HD1492.S65 F58 and other works. Sheila Fitzpatrick, The Russian Revolution (Oxford University Press 1982) 181 pages Lubbock Public Library non-fiction 947.0841 F559R Texas Tech Library DK265.F48

Sheila Fitzpatrick, Tear Off The Masks!: Identity and Imposture in 20th Century Russia (Princeton University Press 2005)

When revolutions happen, they change the rules of everyday life – both the codified rules concerning the social and legal classifications of citizens and the unwritten rules about how individuals present themselves to others. This occurred in Russia after the Bolshevik Revolution of 1917, which laid the foundations of the Soviet state, and again in 1991, when that state collapsed. Tear Off the Masks! is about the remaking of identities in these times of upheaval. Sheila Fitzpatrick here brings together in a single volume years of distinguished work on how individuals literally constructed their autobiographies, defended them under challenge, attempted to edit the “file-selves” created by bureaucratic identity documentation, and denounced others for “masking” their true social identities.

Marxist class-identity labels–“worker,” “peasant,” “intelligentsia,” “bourgeois”–were of crucial importance to the Soviet state in the 1920s and 1930s, but it turned out that the determination of a person’s class was much more complicated than anyone expected. This in turn left considerable scope for individual creativity and manipulation. Outright imposters, both criminal and political, also make their appearance in this book. The final chapter describes how, after decades of struggle to construct good Soviet socialist personae, Russians had to struggle to make themselves fit for the new, post-Soviet world in the 1990s – by “de-Sovietizing” themselves.

Engaging in style and replete with colorful detail and characters drawn from many sources, Tear Off the Masks! offers unique insight into the elusive forms of self-presentation, masking, and unmasking that made up Soviet citizenship and continue to resonate in the post-Soviet Russian and Russian-influenced world.

 

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Philip Short, Mitterand: A Study in Ambiguity (Bodley Head 2013) 692 page biography of Francois Mitterand published by a British press, but Philip Short, A Taste For Intrigue: The Multiple Lives of Francois Mitterand (Henry Holt 2013) 620 pages published in the United States and reviewed by Yascha Mounk, Francois Mitterand Was An Elusive Shape-Shifter Whose Goals Remained Unknown Even To His Closest Aides, Wall Street Journal, May 9, 2014 http://online.wsj.com/news/articles/SB10001424052702304512504579495312846456376 . The British version was reviewed at Sudhir Hazareesingh, Skilled at a Distance, London Times Literary Supplement, May 30, 2014 http://www.the-tls.co.uk/tls/reviews/biography/article1415545.ece and the reviewer’s steely grasp of what the author mis-characterized or left out about the narcissistic Francois Mitterand is wonderful.

By reading both reviews you know enough not to read the book. “And so all other considerations were subordinated to his personal ambition. As Justice Minister at the height of the Algerian war, he remained silent as thousands of Algerian patriots were tortured and murdered by the French Army – the only reason being his hope that he might be appointed Prime Minister. He became a Socialist not out of ideological principle or moral conviction, but because he realized this was his only viable path to the French presidency. He did not hesitate to facilitate the rise of Jean-Marie Le Pen’s Front National (by introducing proportional representation for the parliamentary elections of 1986) because he hoped the extreme Right would split the conservative vote, and thus allow him to retain a majority in the National Assembly. Once socialism became an obstacle to his retention of power in the mid-1980s, he discarded it without so much as an afterthought (Short’s claim that Mitterrand had a lifelong commitment to “social justice” is almost comical; the gap between rich and poor in France grew wider after his fourteen years in office). He left the Socialist party bereft of any doctrine, weighed down by political and financial scandals, and in the hands of a cynically technocratic leadership fixated only with capturing national power. In this essential respect, there is little room for ambiguity: Mitterrand destroyed the soul of the French socialist movement, and it is still struggling to recover from his toxic legacy.” I would agree with this view and warn readers of the book that occasionally the author falls into a paean or encomium [song of praise or tribute] for his subject.

Texas Tech Library DC423.S553 Some Americans regard Mitterand 1916-1996 as a Communist because he was briefly or often mis-labeled as such by the American media. Of course he wasn’t. He declared himself a Socialist and after he came to power within the Socialist Party he embraced the Communists in order to gain a political ally but he wasn’t a Communist. Indeed, during the late 1930s he ran with a fascist and anti-semitic crowd and upon Germany’s occupation Mitterand joined the Vichy and was decorated for Vichy service by Petain. Only in 1943 did he eschew the Vichy and join the Resistance but not the Communist resistance, an early contradiction in stance that he would repeat often throughout his life. What we now know is he was not even a Socialist although that was the party label under which he ran and won election to public office. He was deeply conservative in many ways. What he believed in, and his only consistent and retained belief, was the political survival of himself Francois Mitterand. Everything else was sacrificed sooner or later.

The Mitterand Years: Legacy and Evaluation (ed. Mairi Maclean, Palgrave Macmillan 1998) Texas Tech Library DC423.M578

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San Francisco Giants are atop the West Division 46 wins 33 losses of the National League in Major League Baseball and Oakland Athletics are atop the West Division 49 wins 30 losses of the American League. Could we have a Bay Bridge World Series?

 

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Mike and Pat Maines home at 9005 Memphis Drive is predictably handsome, with two artists resident within, and its exterior has undergone a painting of the double garage door by John Chinn, a well-known artist whose day job is Instructor in Design at the College of Architecture at Texas Tech University http://www.arch.ttu.edu/people/faculty/chinn_j/

 

If the address is unclear, from 82nd Street south to 87th Street, and from 93rd Street south to 98th Street, Memphis Avenue is a north south grid street. Between 87th and 93rd Streets it loops east around Charles Guy Park and Premier Sportsplex and is known as Memphis Drive while it’s looping.

 

A garage door mural is private art that is viewable by the public from a city street. It’s gorgeous.

 

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Is it art if no one is there to witness it’s being made, and it’s temporary so it disappears before anyone can discover it? What sound does a tree make falling in the forest if no one is there to hear it?

 

 

Ai Weiwei and Bert Benally Create Pull of the Moon Through an Unprecedented International Art Collaboration

Targeted News Service (USA) – Tuesday, June 24, 2014

SANTA FE, N.M., June 20 – The New Mexico Arts issued the following news release:

Ai Weiwei, internationally acclaimed Chinese dissident artist, and Navajo artist Bert Benally through a remarkable collaboration, will create Pull of the Moon, a temporary, site-specific art installation in a remote part of Coyote Canyon on the Navajo Nation. Pull of the Moon is part of Navajo TIME (Temporary Installations Made for the Environment), a unique partnership between New Mexico Arts and the Navajo Nation Museum. The installation will feature earth-based drawings using sand.

Bert Benally said of Pull of the Moon, “The concept is based on Navajo aesthetics, the idea that for the Navajo, art is more about the process rather than the finished product.”

The installation will be created on Saturday June 28, 2014. Due to the remoteness and lack of facilities, this event is not open to the public. A limited amount of media passes are available on a first come, first serve basis. Members of the media wishing to obtain access should contact Chuck Zimmer at (505) 476-0523 or (505) 699-6496.

A free and public launch event for Pull of the Moon will take place on July 16, 2014, from 5:00-7:00 p.m. at the Museum of Contemporary Native Arts (MoCNA) in Santa Fe, at Alan Houser Park, and will feature a live performance by German sound artist Robert Henke and Bert Benally based on sounds captured at Coyote Canyon during the installation.

A documentary film entitled The Making of Pull of the Moon by Daniel Hyde and Blackhorse Lowe highlighting the collaboration between Ai Weiwei and Bert Benally at Coyote Canyon opens at MoCNA on July 16, from 5:00-7:00 p.m., and runs through October 16. A 3D modeling digital landscape has also been created by xRez Studio Inc. and can be viewed in either 2D or 3D formats at MoCNA from July 16-October 16, 2014. http://www.iaia.edu/museum/

An exciting immersion full dome experience of this digital landscape based on Pull of the Moon is not to be missed at Museum Hill in Santa Fe on Friday, July 18 from 5:00-9:00 p.m. and Saturday, July 19 from 10:00 a.m.-5:00 p.m. New Mexico Arts intends to tour the dome around the state. All events at MoCNA and Museum Hill are free and open to the public. https://www.facebook.com/MuseumofContemporaryNativeArts

“Cultural landscape is very important to this project. That is why Coyote Canyon was chosen with its rich history and traditions. When it is travels to different locations it will carry the power of the initial place with it. One of the objectives of this project is to connect art with cultural landscape,” said Navajo Nation Museum Director Manuelito Wheeler.

Pull of the Moon signifies the transformative power of art through international collaboration and is a reminder of the immense challenges faced by many cultures and the capacity for growth and healing from very impactful events. Despite being unable to travel outside of China, Ai Weiwei’s boundless spirit and creativity still touch many around the globe. Pottery shards from his Dropping the Vase series have been ground down to a fine powder that will be used in the installation at Coyote Canyon. “The shards were intentionally placed there as evidence of the powder’s origin,” explained Ai Weiwei, “I think this is an interesting idea because we can only see ourselves, our past, through material evidence such as these shards. It is important to pass on to future generations where we are from and to give a glimpse of the mind and soul of the people living in that time.”

“I am very excited about this unparalleled partnership between the State of New Mexico, Navajo Nation and Ai Weiwei that we have been able to create,” said Chuck Zimmer, Deputy Director and Public Art Manager of New Mexico Arts. “From the beginning our intention has been that the land itself be the starting point, a blank canvas for artists to transform through their creative process into something larger, something that can bring healing and harmony to the land and to the community. With this as our goal, I cannot think of more appropriate artists to create this installation than Bert Benally and Ai Weiwei.”

From the above we now know that we can hear sounds and view a documentary film of the making of the art installation on July 16 in Santa Fe at the named museum, and thereafter through October 16 in the exhibit about the installation. It’s clear that Navajo don’t want the public to go trapsing into Coyote Canyon so they will bring an event in the Canyon to the public in Santa Fe. What a project! Here is information about Coyote Canyon http://coyotecanyon.navajochapters.org/ It is located north of Gallup New Mexico traveling on US Highway 491 about 16 miles then turn east on Navajo Service Route 9 for another 9 miles.

 

After you watch this 28 minute video of jeep style all-terrain vehicles despoiling Coyote Canyon you will appreciate why the location is not inviting visitors who bring disrespect to a sacred space http://www.youtube.com/watch?v=sQGzEVM3KcA a place of return in 1868 from The Long Walk to the Bosque Redondo near Fort Sumner in New Mexico Territory.

 

 

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Are you familiar with this Rocky Mountain outdoor landscape painter? Helen Henderson Chain 1849-1892 operated Denver’s first book store, stationery shop, art supplies shop, art gallery, art school, and publishing house http://www.denverpost.com/opinion/ci_26002859/helen-henderson-chain-pioneer-denvers-art-history here she is at her easel in 1882 http://www.outdoorpainter.com/history/helen-henderson-chain-1849-1892.html Her paintings were exhibited in New York City at the National Academy of Design in her day. She and her husband were touring in the Orient when their ship went down during a typhoon in the South China Sea October 10, 1892.

 

Denver Public Library’s Western History Art Gallery has an exhibit on her that is up through August 17 http://denverlibrary.org/event/helen-henderson-chain-art-adventure-early-colorado

 

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Willard Spiegelman, Great Art Behind Bars, The Wall Street Journal, June 25, 2014 http://online.wsj.com/articles/museum-review-great-art-behind-bars-1403733940 is a story about the Old Jail Art Center in Albany Texas north of Abilene www.theoldjailartcenter.org From 1877 to 1929 it was an operating jail, then vacant, and then used as a private space until donated for use as a museum since 1980, on the rolling plains south of historic Fort Griffin an important US Army post 1867-1881 on the Clear Fork of the Brazos River. http://en.wikipedia.org/wiki/Fort_Griffin Stone ruins of some buildings and recreated structures now exist at Fort Griffin State Historic Site http://www.legendsofamerica.com/tx-fortgriffin.html

 

In medieval history Albany is that part of Scotland north of the firths of Clyde and Forth. The firth of Clyde is the bay or estuary into which the Clyde River and its tributaries empties, the principal city being Glasgow, and the firth of Forth is the same on the east coast, the principal city being Edinburgh. The Dukes of Albany were royal lineage people. It is said that Scottish-American Presbyterians founded the town of Albany naming it for their former homeland, and one of the very oldest buildings in town is a Presbyterian Church, the Scots would say a kirk http://en.wikipedia.org/wiki/Kirk If there’s any place in Texas where Bloody John Knox presbyter is still a hero, it might be Albany.

 

Isn’t it wonderful when a national newspaper like The Wall Street Journal notices and remarks favorably on an art center in a small West Texas town? For this instance the stereotypical Texan image was not portrayed but rather something quite different and distinct, as we who live here know is often the case in our daily lives. We know that Texas with 27 million people has grown into a quite diverse pluralistic society with cross-sections of religious cultural and societal values and approaches. That side of Texas is not often expressed by our politicians or government so those of us who welcome and embrace the diversity are seen by politicians as progressives or even radicals and labeled as such despite the fact that some of us are deeply conservative in a non-political use of that term. Wide distinctions in use of language exist today so some of us just turn off the political usage and go back to the etymology of language and use terms as they would have been used a century or even several centuries ago.

 

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